Explore Public Sora Prompts

рыбацкий корабль. ночь. шторм. дождь. съемка камерой видеонаблюдения с типичными символами на екране (дата и моргающая красная точка), рыбаки вытягивают неизвесное существо которое попалось в сети. оно пронзительно кричит и вырывается, его размер примерно с человека, команда кричит, паникует, бегает по палубе. нужен хук с первой секунды, крики. паника.. чтобы зритель не понимал что происходит. рыбаки разговаривают на индонезийском

[LOGLINE] A fishing boat battles a raging storm at night as fishermen discover an unknown creature caught in their nets, leading to chaos on deck. [SUBJECT & ACTION] The crew, speaking in Indonesian, frantically pulls an unknown creature the size of a human from the nets. It lets out a piercing scream, breaks free, and panic ensues as the fishermen run around the deck in fear. [ENVIRONMENT] The scene is set on a fishing boat in the middle of a violent storm, with heavy rain pouring down and waves crashing against the hull. [CAMERA & MOVEMENT] Start with a tight shot on the surveillance screen showing the date and a blinking red dot, then transition to a wide shot of the deck as fishermen scramble, capturing their frantic movements. [BEAT FLOW — 10s] • 0–3.3s: The screen flickers to life, showing the date and a blinking red dot; chaotic sounds of the storm and fishermen's shouts fill the air. • 3.3–6.6s: The creature is revealed as it is pulled from the net, its horrifying scream echoes, and the crew erupts in panic, running in different directions. • 6.6–10s: Close-ups of terrified faces and the creature thrashing, creating a chaotic atmosphere; the sound of the storm intensifies, leaving viewers in suspense. [LIGHTING & COLOR] Dark and moody lighting with flashes of lightning illuminating the scene intermittently; colors are muted with cold blues and grays to emphasize the stormy night. [VFX & CLEANUP] Add subtle rain effects on the camera lens; ensure smooth transitions between shots without abrupt cuts. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

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[LOGLINE] A mysterious figure, Vgcyffcffcfdgcgfdcgfhv, emerges from the shadows, revealing their intentions in a tense confrontation. [SUBJECT & ACTION] The cloaked character, Vgcyffcffcfdgcgfdcgfhv, stands defiantly, their face obscured, while they gesture emphatically, conveying a mix of urgency and determination, as they challenge another character. [ENVIRONMENT] The scene is set in a dimly lit alley, cluttered with discarded items and illuminated by the flickering light of a nearby streetlamp, creating an atmosphere of suspense. [CAMERA & MOVEMENT] Slow dolly-in towards Vgcyffcffcfdgcgfdcgfhv; slight tilt as they raise their hand to emphasize their point; pull back slightly as the tension escalates. [BEAT FLOW — 10s] • 0–3.3s: Camera approaches Vgcyffcffcfdgcgfdcgfhv, shadows play across their cloak as they prepare to speak. • 3.3–6.6s: The character gestures, voice rising, as they express their urgency; the camera tilts slightly to capture their intensity. • 6.6–10s: Tension peaks with a close-up on the character’s hand, then the camera slowly pulls back to reveal the alley as silence falls. [LIGHTING & COLOR] Low-key lighting with sharp contrasts; cooler tones dominate the scene, highlighting the mysterious nature of the character while the streetlamp casts warm highlights. [VFX & CLEANUP] Subtle depth of field effects; ensure clean edges around props and characters; minor grain for a gritty feel. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

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[LOGLINE] A dramatic confrontation unfolds between two rival factions, as tensions rise amidst a backdrop of chaos and conflicting emotions. [SUBJECT & ACTION] Two leaders from opposing factions stand face-to-face, their expressions intense as they exchange heated words, each determined to assert their dominance. [ENVIRONMENT] The setting is a dimly lit urban alley, littered with debris and graffiti, creating an atmosphere thick with tension and impending conflict. [CAMERA & MOVEMENT] Handheld close-up on the leaders’ faces, with a slow pull back to reveal the alley; quick cuts between their expressions to emphasize the emotional stakes. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the first leader, their eyes narrowed, voice steady and commanding. • 3.3–6.6s: Cut to the second leader, lips curled in a defiant smirk, responding with a sharp retort. • 6.6–10s: Wide shot of the alley as tension escalates, with both leaders standing their ground, no new dialogue as the scene resolves visually. [LIGHTING & COLOR] Low-key lighting with harsh shadows; a cold color palette dominated by blues and grays to enhance the somber mood. [VFX & CLEANUP] Subtle grain texture for realism; ensure stable edges, slight motion blur during quick cuts to convey urgency. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A chicken nugget with a happy meal that’s saying I’m the best chicken nugget around

[LOGLINE] A cheerful chicken nugget proudly declares, "I'm the best chicken nugget around!" while nestled in a vibrant happy meal box. [SUBJECT & ACTION] The happy, animated chicken nugget beams with confidence, showcasing its golden-brown crispy exterior as it speaks with enthusiasm and pride. [ENVIRONMENT] The scene is set inside a brightly colored fast-food restaurant, filled with playful decor and a lively atmosphere. [CAMERA & MOVEMENT] Smooth zoom-in on the chicken nugget as it speaks, then a gentle pan to capture the happy meal box surrounding it. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the chicken nugget as it smiles and begins to speak. • 3.3–6.6s: Zoom-in on the nugget, emphasizing its crispy texture and joyful expression while it says, "I'm the best chicken nugget around!" • 6.6–10s: The camera pulls back slightly to reveal the happy meal box, with the nugget still grinning, as the scene fades out. [LIGHTING & COLOR] Bright, cheerful lighting to enhance the fun atmosphere; vibrant colors highlighting the chicken nugget and happy meal. [VFX & CLEANUP] Subtle sparkle effects around the chicken nugget; ensure smooth transitions without any harsh cuts. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A dancing chicken nugget with two revolvers that’s saying I’m the best chicken nugget around

[LOGLINE] A dancing chicken nugget wielding two revolvers confidently declares, "I’m the best chicken nugget around" in a lively, animated showdown. [SUBJECT & ACTION] The chicken nugget performs a lively dance, twirling and flipping while brandishing its revolvers, exuding an air of self-assuredness and flair. [ENVIRONMENT] The scene takes place in a vibrant, cartoonish fast-food restaurant, filled with colorful decor and playful, oversized food items. [CAMERA & MOVEMENT] Start with a wide shot of the fast-food restaurant, then swiftly zoom in on the dancing chicken nugget, incorporating dynamic pans and spins to match its dance moves. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the fast-food restaurant, establishing a lively atmosphere as the chicken nugget begins to dance. • 3.3–6.6s: Close-up on the chicken nugget as it spins and brandishes its revolvers, confidently shouting, "I’m the best chicken nugget around!" • 6.6–10s: The chicken nugget finishes its dance with a flourish, striking a pose as the camera pulls back to reveal the whole restaurant, leaving the audience with a sense of fun. [LIGHTING & COLOR] Bright, cheerful lighting with warm tones, emphasizing the playful and whimsical nature of the scene, complemented by bold and vibrant colors throughout. [VFX & CLEANUP] Subtle motion blur during dance moves; ensure stable edges on the chicken nugget and props for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Direkam oleh kamera cctv depan rumah saat malam hari, seekor beruk sedang tertidur di dekat pagar, rumah di atas angkringan yang sudah di sediakan oleh pemiknya, tiba tiba pocong datang melompat lompat di sebelahnya dan perlahan seperti bangun tidur monyet membuka matanya, sontak dia kaget dan mengeluarkan suara yang nyaring khas monyet, dan langsung melompat ke wajah pocong dengan tendangan refleknya yang membuat pocong terjatuh

[LOGLINE] Direkam oleh kamera CCTV, seekor beruk tertidur dekat pagar rumah yang berada di atas angkringan, tiba-tiba pocong melompat-lompat di sebelahnya, mengejutkan beruk yang langsung bereaksi. [SUBJECT & ACTION] Seekor beruk sedang tertidur nyenyak di dekat pagar, saat pocong muncul dan melompat-lompat di sampingnya. Beruk yang terbangun kaget, mengeluarkan suara khasnya, dan langsung melompat dengan tendangan refleks ke wajah pocong, membuat pocong terjatuh. [ENVIRONMENT] Malam hari dengan suasana sepi di sekitar rumah yang berada di atas angkringan, dikelilingi oleh cahaya samar dari lampu jalan. [CAMERA & MOVEMENT] Statis di sudut pandang CCTV, fokus pada beruk dan pocong, dengan sedikit zoom in saat pocong melompat, kemudian kembali ke posisi awal saat beruk bereaksi. [BEAT FLOW — 10s] • 0–3.3s: Beruk tertidur tenang di dekat pagar, suasana malam yang sunyi. • 3.3–6.6s: Pocong muncul, melompat-lompat di sebelah beruk, menciptakan suara langkah yang menggangu. • 6.6–10s: Beruk terbangun, kaget, mengeluarkan suara, dan melompat dengan tendangan refleks ke wajah pocong, pocong terjatuh. [LIGHTING & COLOR] Cahaya samar dari lampu jalan menciptakan kontras dengan bayangan gelap di sekitar, dengan warna dingin yang menekankan suasana malam. [VFX & CLEANUP] Efek blur halus pada gerakan pocong dan beruk saat melompat; tepi objek yang stabil dan jelas. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

토끼가 날아가는 것을 만들어주

[LOGLINE] A whimsical scene where a rabbit takes flight, soaring through a bright blue sky filled with fluffy clouds. [SUBJECT & ACTION] A cheerful rabbit, with big expressive eyes and fluffy fur, flaps its oversized, colorful wings as it joyfully ascends into the air, leaving a trail of sparkles behind. [ENVIRONMENT] The backdrop features a vibrant landscape of rolling green hills dotted with wildflowers, beneath a clear sky with a few fluffy clouds scattered throughout. [CAMERA & MOVEMENT] Start with a wide shot capturing the rabbit on the ground, then transition into a smooth upward tracking shot as the rabbit takes off into the sky. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the rabbit on the grass, stretching its wings, with a bright sun shining above. • 3.3–6.6s: The rabbit takes off, with a close-up of its joyful expression as it flaps its wings and begins to rise. • 6.6–10s: Transition to the rabbit soaring through the air, surrounded by clouds and sparkles, capturing its exhilaration. [LIGHTING & COLOR] Bright, cheerful lighting with soft shadows; vibrant colors with pastel highlights on the rabbit's wings to enhance the whimsical feel. [VFX & CLEANUP] Add subtle sparkles trailing behind the rabbit; ensure smooth transitions between scenes with no abrupt cuts. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

a 48 year old woman who looks like she has anxiety almost depressed and behind is a father and daugher and son laughing. There is a clear contrast between her feeling left out and the others being happy. She looks dark they look more bright

[LOGLINE] A 48-year-old woman, visibly anxious and almost depressed, stands apart from a joyful father, daughter, and son who are laughing together, creating a stark contrast between her feelings of exclusion and their happiness. [SUBJECT & ACTION] The woman appears dark and withdrawn, her body language closed off, while the father and children share a moment of joy, their laughter echoing around her, highlighting her isolation. [ENVIRONMENT] The scene unfolds in a bright, sunny park filled with greenery and vibrant flowers, where the family plays together, oblivious to the woman's emotional struggle. [CAMERA & MOVEMENT] Static shot capturing the contrast, with a gradual zoom in on the woman to emphasize her solitude, while the background remains slightly out of focus, showcasing the family’s laughter. [BEAT FLOW — 10s] • 0–3.3s: Establishing shot of the park, capturing the vibrant family in the background. • 3.3–6.6s: Close-up of the woman as she glances at the family, her expression filled with anxiety and sadness. • 6.6–10s: The camera slowly pushes in on her face, lingering on her emotional turmoil as the laughter continues in the background, leading to a quiet resolution of silence. [LIGHTING & COLOR] Soft, warm lighting for the family, creating a cheerful atmosphere, while the woman is slightly shadowed, with cooler tones to enhance her somber mood and sense of isolation. [VFX & CLEANUP] Minimal motion blur for smoother transitions; ensure edges are stable and clean without distraction. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A black man working on a laptop. The screen of the laptop show the gemini app. The man turn and says, "Gemini 3 est officiellement lancé et c'est époustouflant".

[LOGLINE] A black man, engaged in his work, turns to the camera to announce the official launch of the Gemini app with excitement. [SUBJECT & ACTION] The man, focused on his laptop, showcases the Gemini app on the screen before turning to the camera and exclaiming, "Gemini 3 est officiellement lancé et c'est époustouflant". [ENVIRONMENT] The scene is set in a modern workspace, featuring a sleek desk with the laptop prominently displayed, surrounded by minimalistic decor. [CAMERA & MOVEMENT] Start with a close-up on the laptop screen, then transition to a medium shot of the man as he turns to address the camera. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the laptop screen displaying the Gemini app interface. • 3.3–6.6s: Medium shot as the man turns from the laptop to face the camera, excitement building. • 6.6–10s: The man delivers his line with enthusiasm, transitioning to a slight zoom out to capture his full expression. [LIGHTING & COLOR] Bright, natural lighting enhances the workspace ambiance, with soft shadows to create depth; vibrant colors on the laptop screen contrast with the neutral tones of the environment. [VFX & CLEANUP] Subtle motion blur during the transition from the laptop to the man; ensure stable edges and a clear focus on the subject. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a movie trailer in 4k of a movie called “Cockadoodledoo”. It’s the sound a rooster makes at sunrise. This movie features Wilt Chamberlain, and Rudy Ray Moore.

[LOGLINE] In a vibrant small town, renowned basketball legend Wilt Chamberlain teams up with the charismatic Rudy Ray Moore to save a beloved local farm by harnessing the power of the rooster's crowing at sunrise, igniting a series of comedic and heartwarming events. [SUBJECT & ACTION] Wilt Chamberlain, towering and confident, stands in a sunlit field, practicing his basketball shots while Rudy Ray Moore, with his infectious energy and humor, entertains a group of children with his storytelling. Together, they embark on an adventure to revive the town's spirit and the farm's legacy. [ENVIRONMENT] The setting features a picturesque small town at dawn, with the warm glow of the rising sun illuminating the lush fields and a quaint farmhouse. [CAMERA & MOVEMENT] Smooth dolly in towards Wilt as he shoots the basketball, then a quick pan to Rudy as he gestures animatedly to the children. A wide shot captures the town in the background as the sun rises. [BEAT FLOW — 10s] • 0–3.3s: Wilt Chamberlain takes a shot, the basketball swishes through the net, and the camera zooms in on his triumphant smile. • 3.3–6.6s: Rudy Ray Moore bursts into laughter, telling a joke that has the children in stitches; the camera captures their joyful faces. • 6.6–10s: A stunning sunrise fills the sky, and a rooster crows in the foreground, symbolizing hope and new beginnings, as the title "Cockadoodledoo" appears. [LIGHTING & COLOR] Warm, golden hues dominate the scene, reflecting the early morning light; soft shadows add depth, enhancing the cheerful and inviting atmosphere of the town. [VFX & CLEANUP] Gentle lens flare from the sunrise; natural motion blur during fast movements; ensure stable edges around characters and props. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Malcolm X,The Honorable Elijah Muhammad, and Rosa Parks competing in a professional bass fishing tournament.

[LOGLINE] Malcolm X, The Honorable Elijah Muhammad, and Rosa Parks engage in a fierce competition at a professional bass fishing tournament, showcasing their unique personalities and camaraderie. [SUBJECT & ACTION] Malcolm X casts his line with precision, exuding confidence; The Honorable Elijah Muhammad studies the waters thoughtfully, while Rosa Parks skillfully reels in a fish, her determination evident. [ENVIRONMENT] The scene is set on a serene lake surrounded by lush greenery, with boats floating gently on the water under a clear blue sky. [CAMERA & MOVEMENT] Start with a wide shot of the lake, then zoom in on each character as they fish, capturing close-ups of their focused expressions and the splashes of water as they catch fish. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the lake with boats, introducing the setting and characters casting their lines. • 3.3–6.6s: Close-ups of Malcolm X confidently casting, The Honorable Elijah Muhammad contemplating, and Rosa Parks reeling in a fish, showcasing their distinct styles. • 6.6–10s: A triumphant moment as Rosa Parks holds up her catch, with Malcolm X and Elijah Muhammad smiling in admiration, emphasizing their friendly rivalry. [LIGHTING & COLOR] Natural daylight illuminates the scene, creating vibrant colors in the surroundings, with reflections shimmering on the water's surface. [VFX & CLEANUP] Subtle water ripples to enhance realism; ensure stable edges around characters and objects. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a commercial featuring the actor William Thomas Jr. He’s at Costco selling his new hair care product called “The Nappy Cap”. It’s a cap that covers nappy heads in public. It comes in different colors and only costs $9.99.

[LOGLINE] William Thomas Jr. promotes his innovative hair care product, “The Nappy Cap,” at Costco, showcasing its vibrant colors and affordability at $9.99. [SUBJECT & ACTION] William Thomas Jr. enthusiastically demonstrates “The Nappy Cap” to customers, highlighting how it effectively covers nappy heads in public while offering a stylish solution. [ENVIRONMENT] The scene takes place in a bustling Costco, filled with colorful product displays and shoppers exploring the aisles. [CAMERA & MOVEMENT] Handheld tracking shot moves through the Costco aisle, focusing on William as he interacts with customers; occasional close-ups on the caps as he showcases their colors. [BEAT FLOW — 10s] • 0–3.3s: William smiles, holding up “The Nappy Cap” while addressing a group of curious shoppers. • 3.3–6.6s: He places a cap on a shopper's head, demonstrating its fit and style, as onlookers nod in approval. • 6.6–10s: William gestures excitedly, promoting the $9.99 price point while the camera captures shoppers reaching for the caps, ending with a shot of the colorful display. [LIGHTING & COLOR] Bright, natural lighting enhances the vibrant colors of the caps; warm tones create an inviting shopping atmosphere. [VFX & CLEANUP] Subtle motion blur during camera moves; stable edges around the product and people to maintain focus. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Mary, Joseph and baby Jesus riding through the desert in a Humvee.

[LOGLINE] Mary, Joseph, and baby Jesus embark on a surreal journey through the arid desert landscape in a Humvee, blending ancient themes with modern imagery. [SUBJECT & ACTION] Mary sits in the passenger seat, cradling baby Jesus, while Joseph drives the Humvee, navigating the harsh terrain with determination. Their expressions reflect a mix of hope and weariness as they traverse the relentless desert. [ENVIRONMENT] The scene is set in a vast, sun-baked desert with rolling dunes and a clear blue sky, evoking a sense of isolation and adventure. [CAMERA & MOVEMENT] Handheld tracking shot following the Humvee as it moves through the desert, occasionally cutting to close-ups of Mary and Joseph's faces to capture their emotions. [BEAT FLOW — 10s] • 0–3.3s: The Humvee kicks up dust as it speeds across the desert, with a wide shot showcasing the vastness of the landscape. • 3.3–6.6s: Close-up of Mary looking lovingly at baby Jesus, her eyes reflecting the sunlight, while Joseph remains focused on the road. • 6.6–10s: A panoramic view of the Humvee against the sunset, symbolizing their journey, with no new dialogue as the scene fades. [LIGHTING & COLOR] Bright and warm lighting to emphasize the harshness of the desert, with golden hues during the sunset creating a striking contrast against the blue sky. [VFX & CLEANUP] Soft lens flare from the sun; subtle motion blur as the Humvee moves, maintaining clear edges for characters and environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a movie trailer for a movie called “The Vault”. Prince is playing the main character. It’s a story of a musician that wanted revenge after his music catalog got stolen. Make Prince look like he did in the 80’s. Have the movie title flash on the screen at the end with the r rating at the end as well. Make this trailer look like it was recorded on VHS.

[LOGLINE] A gripping trailer for “The Vault,” featuring Prince as a vengeful musician determined to reclaim his stolen music catalog. [SUBJECT & ACTION] Prince, embodying his iconic 80s style, navigates a gritty urban landscape, confronting shadowy figures who possess his cherished music. Fueled by rage and passion, he harnesses his musical talents into a weapon for revenge. [ENVIRONMENT] The setting features dimly lit alleyways, vibrant neon lights, and a retro recording studio, evoking the essence of the 1980s music scene. [CAMERA & MOVEMENT] Handheld zoom-in on Prince's intense expressions; smooth tracking shots following him through the urban landscape; quick cuts to moments of confrontation; final dramatic pull-back revealing the movie title. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Prince in a moody urban setting, eyes filled with determination. • 3.3–6.6s: Rapid cuts of Prince performing passionately, interspersed with shadowy figures and quick glimpses of the stolen catalog. • 6.6–10s: The screen flashes to black, the title “The Vault” appears with a VHS distortion effect, followed by the R rating. [LIGHTING & COLOR] Low-key lighting with high-contrast shadows; neon accents to enhance the retro vibe; a grainy, washed-out color palette to mimic VHS quality. [VFX & CLEANUP] Add subtle VHS tracking lines and distortions; ensure stable edges; incorporate a slight film grain for authenticity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a r & b music video featuring a group called “Sei Les” The group includes Teddy Roosevelt, Nikola Tesla and Jackie Gleason.

[LOGLINE] An R&B music video featuring the eclectic group “Sei Les,” consisting of Teddy Roosevelt, Nikola Tesla, and Jackie Gleason, as they perform a soulful track in a vibrant, retro-inspired setting. [SUBJECT & ACTION] The charismatic trio, dressed in stylish 1920s attire, harmonizes while showcasing their unique personalities: Teddy exuding confidence, Nikola with a creative spark, and Jackie bringing humor and charm to the performance. [ENVIRONMENT] The backdrop features a lively jazz club with vintage decor, soft neon lights, and a small stage adorned with musical instruments, creating a warm and inviting atmosphere. [CAMERA & MOVEMENT] Smooth dolly shots to capture the group’s synchrony, quick cuts to focus on each member during their solos, and fluid pans to follow their movements across the stage. [BEAT FLOW — 10s] • 0–3.3s: The camera opens with a wide shot of the jazz club, zooming in on Sei Les as they prepare to perform. • 3.3–6.6s: Close-ups of Teddy Roosevelt, Nikola Tesla, and Jackie Gleason as they sing their parts, showcasing their expressions and dynamic interactions. • 6.6–10s: The trio comes together for a powerful chorus, the energy building, ending with a final pose as the music fades and the camera pulls back for a wide shot. [LIGHTING & COLOR] Soft, warm lighting with a glowing amber hue, accentuating the vibrant colors of their outfits and the club’s decor, creating an inviting and nostalgic feel. [VFX & CLEANUP] Subtle motion blur to enhance movement; stable edges to keep focus on the performers and their expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a rap video for a song called “The Snap Benefit Slide”. It’s supposed to be a parody of “The Cha Cha Slide” by Casper.

[LOGLINE] A vibrant rap video for "The Snap Benefit Slide," a parody of "The Cha Cha Slide" by Casper, featuring a diverse group of energetic dancers showcasing their skills in a lively community park setting. [SUBJECT & ACTION] A charismatic lead rapper performs the catchy lyrics while guiding the dancers through hilarious and exaggerated moves that parody the original song, with playful interactions and expressions highlighting the fun and camaraderie among the group. [ENVIRONMENT] The scene unfolds in a colorful community park filled with trees, picnic tables, and a lively crowd enjoying a sunny day, creating a joyful and inviting atmosphere. [CAMERA & MOVEMENT] Handheld tracking shots follow the lead rapper as they move through the crowd, with quick cuts to close-ups of dancers executing signature moves, and wide shots capturing the full energy of the park. [BEAT FLOW — 10s] • 0–3.3s: The lead rapper steps forward, introducing the song with a big smile, while dancers gather around. • 3.3–6.6s: Dancers perform synchronized moves, emphasizing comedic flourishes, with playful reactions from the crowd. • 6.6–10s: The camera pulls back to reveal the full park scene, capturing everyone dancing together, ending with the lead rapper striking a fun pose. [LIGHTING & COLOR] Bright, natural sunlight creates an uplifting ambiance; colors pop with saturation enhancing the vibrant outfits of the dancers, while warm tones convey a friendly atmosphere. [VFX & CLEANUP] Subtle motion blur enhances the dance moves; stable edges ensure clarity in the dynamic movements of the performers. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

showing cinematic aerial shot from tehran city capital of iran in image one then move the camera super fast throught the city with motion blur then we see 5 black hyundai van in image 2 that move in a straight line on the street camera follow them throught the city. camera move around the five van while their moving fast then we see a building shopping center in image 3, every five van going fast to the building

[LOGLINE] A dynamic aerial shot showcases the bustling city of Tehran, Iran, before zooming through the streets to follow five black Hyundai vans racing toward a shopping center. [SUBJECT & ACTION] The scene begins with a sweeping aerial view of Tehran, then shifts to a fast-paced chase as five black Hyundai vans move in a straight line, the camera weaving around them as they navigate the cityscape. [ENVIRONMENT] The vibrant streets of Tehran, filled with urban architecture and the energy of city life, set the backdrop for the high-speed action. [CAMERA & MOVEMENT] Start with a wide aerial shot, then transition into a rapid, dynamic tracking shot that follows the vans, incorporating swift lateral movements around the vehicles. [BEAT FLOW — 10s] • 0–3.3s: Aerial view of Tehran, showcasing the city's skyline and vibrant streets. • 3.3–6.6s: Camera speeds through the city, capturing the five black Hyundai vans in a tight formation, motion blur accentuating their speed. • 6.6–10s: The vans approach a shopping center, with the camera circling around them, building anticipation as they race toward the destination. [LIGHTING & COLOR] Bright daylight enhances the urban landscape, with rich hues of blue and gold, accentuating the vibrancy of Tehran and the sleek black of the vans. [VFX & CLEANUP] Incorporate subtle motion blur during the fast movements; ensure stable edges around the vans and buildings for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a sora prompt for a video of Gary Coleman and Merlin Santana working as chefs at a Japanese restaurant. This is the type of restaurant where they cook the food in front of you.

[LOGLINE] Gary Coleman and Merlin Santana team up as chefs at a lively Japanese teppanyaki restaurant, delighting customers with their culinary skills and playful banter while cooking food right in front of them. [SUBJECT & ACTION] Gary Coleman, wearing a traditional chef's uniform and a playful grin, expertly flips shrimp into the air while Merlin Santana, in a matching outfit, skillfully wields a knife to chop vegetables, both showcasing their cooking talents with enthusiastic flair. [ENVIRONMENT] The bustling teppanyaki restaurant is filled with excited diners seated around a large grill, vibrant decorations featuring Japanese art, and the sizzling sound of food cooking permeating the air. [CAMERA & MOVEMENT] Handheld tracking shot moving around the grill, capturing the chefs in action; quick zoom-ins on the food preparation and the chefs’ expressions; smooth transition to wide shots showing the diners’ reactions. [BEAT FLOW — 10s] • 0–3.3s: Gary flips shrimp high into the air, his expression full of joy. • 3.3–6.6s: Merlin chops vegetables rapidly, grinning and exchanging jokes with the diners. • 6.6–10s: A close-up of the sizzling grill as the food cooks, laughter and applause from the diners echoing in the background. [LIGHTING & COLOR] Warm, inviting lighting highlighting the vibrant colors of the food; soft overhead lights create a cozy atmosphere while spotlighting the chefs’ energetic movements. [VFX & CLEANUP] Subtle motion blur on fast-moving actions; stable edges around the food and chefs to maintain clarity and focus on their skills. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a sora prompt for a video of Hulk Hogan and Carl Weathers working as chefs at a Japanese restaurant. This is the type of restaurant where they cook the food in front of you.

[LOGLINE] Hulk Hogan and Carl Weathers team up as chefs in a lively Japanese teppanyaki restaurant, showcasing their culinary skills while entertaining guests with their charismatic banter and playful competition. [SUBJECT & ACTION] Hulk Hogan, sporting his signature bandana and a vibrant apron, flamboyantly flips shrimp into the air while Carl Weathers expertly slices vegetables with impressive speed, both engaging the audience with their competitive spirit and humor. [ENVIRONMENT] The bustling Japanese restaurant features a large teppanyaki grill at the center, surrounded by eager diners seated at a wooden counter, with vibrant decorations and subtle Japanese art adorning the walls. [CAMERA & MOVEMENT] Handheld tracking shot moving around the grill, capturing both chefs in action; close-ups of food being prepared; quick pans to the audience's reactions; playful zoom-ins on the chefs’ expressions. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Hulk Hogan flipping shrimp, laughter from the audience; Carl Weathers winks at the camera, brandishing a knife. • 3.3–6.6s: Carl slices vegetables with flair, Hogan cheers him on, audience claps; dynamic shots of food sizzling on the grill. • 6.6–10s: Hogan and Weathers engage in playful banter, audience laughter echoes; final shot of a beautifully plated dish as they present it together. [LIGHTING & COLOR] Bright, warm lighting to create an inviting atmosphere; rich colors of the food pop against the wooden tones of the restaurant; subtle spotlight on the grill area enhances the chefs’ performances. [VFX & CLEANUP] Subtle smoke effects from the grill; slight shimmer on the food to emphasize freshness; stable edges to maintain clarity of the chefs and food. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Michael Jackson catching an alley oop and dunking on Prince. Mike is on the Chicago Bullls. Prince is on the Minnesota Timberwolves. In Rucker Park in New York City.

[LOGLINE] Michael Jackson, wearing his Chicago Bulls jersey, catches an alley-oop pass and performs an iconic dunk over Prince, who is representing the Minnesota Timberwolves, in a vibrant game at Rucker Park in New York City. [SUBJECT & ACTION] Michael Jackson soars through the air, catching the ball with one hand while simultaneously leaping off the ground. Prince, positioned defensively, watches in awe as Michael prepares to dunk the ball with flair. [ENVIRONMENT] Rucker Park, bustling with energetic fans, surrounded by graffiti-covered walls and tall city buildings, showcasing the vibrant culture of New York City basketball. [CAMERA & MOVEMENT] Handheld tracking shot following Michael as he breaks towards the hoop, transitioning to a low angle to capture the height of his leap, then a quick whip pan to Prince's reaction. [BEAT FLOW — 10s] • 0–3.3s: Michael receives the alley-oop pass, his eyes focused on the hoop, with the crowd erupting in anticipation. • 3.3–6.6s: He jumps off the ground, soaring high, while Prince reacts, arms raised in defense, the camera tilting up to capture the action. • 6.6–10s: Michael slams the ball into the hoop with style, the crowd cheering wildly, and the camera captures the moment in slow motion before fading out. [LIGHTING & COLOR] Bright daylight flooding the court, enhancing the vibrant colors of the jerseys and the graffiti; dynamic shadows cast on the ground, creating a lively atmosphere. [VFX & CLEANUP] Subtle motion blur during the dunk for added impact; stable edges around characters for clarity; enhance the crowd's reaction with a slight shake to amplify excitement. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Isabel Sanford free styling over a ol dirty bastard type beat. Sherman Hemsley is the DJ on the turntables playing the beat while he’s scratching on the records. The scratching is what DJ’s do on rap songs.

[LOGLINE] Isabel Sanford freestyles over an Ol' Dirty Bastard-type beat while Sherman Hemsley scratches records as the DJ, creating an energetic and entertaining performance. [SUBJECT & ACTION] Isabel Sanford confidently delivers her freestyle rap, showcasing her lyrical skills and charisma. Sherman Hemsley operates the turntables, skillfully scratching records to enhance the rhythm of the beat. [ENVIRONMENT] The setting is a lively urban stage with vibrant lighting, reflecting a hip-hop vibe, complete with a backdrop of graffiti art. [CAMERA & MOVEMENT] Handheld approach to capture dynamic angles; smooth push-ins on Isabel during her verses, and quick cuts to Sherman as he scratches the records. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Isabel as she starts her freestyle, confident and expressive. • 3.3–6.6s: Cut to Sherman at the turntables, scratching energetically, with his focused expression. • 6.6–10s: Back to Isabel delivering her final lines, with the beat building, then pulling back for a wide shot of both performers, ending with the beat fading out. [LIGHTING & COLOR] Bright, colorful stage lights with a mix of warm and cool tones, highlighting Isabel and Sherman; a slightly gritty texture to enhance the urban feel. [VFX & CLEANUP] Subtle motion blur during quick cuts; stable edges to maintain clarity on the performers. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video in 4K of Marilyn Monroe doing a promo for her rap video. It’s going to make you think that she joined the Wu-Tang Clan based on the graphics and the lyrics and the sound.

[LOGLINE] Marilyn Monroe, iconic and glamorous, promotes her unexpected rap video, drawing inspiration from Wu-Tang Clan, showcasing a fusion of classic Hollywood allure and contemporary hip-hop culture. [SUBJECT & ACTION] Marilyn Monroe stands confidently in front of a vibrant graffiti wall, delivering catchy lyrics with charisma and flair, blending her classic charm with the edgy energy of rap, making it seem as if she has officially joined the Wu-Tang Clan. [ENVIRONMENT] The setting is a colorful urban alley adorned with bold street art and Wu-Tang Clan motifs, providing a lively backdrop that contrasts with Marilyn's vintage Hollywood style. [CAMERA & MOVEMENT] Smooth dolly-in towards Marilyn as she begins to rap, then a dynamic handheld shake as she delivers her punchlines, finishing with a wide shot capturing her full figure and the colorful backdrop. [BEAT FLOW — 10s] • 0–3.3s: Dolly-in to Marilyn as she strikes a pose, the camera focuses on her confident smile. • 3.3–6.6s: Handheld shake as she delivers rapid-fire lyrics, showcasing her animated gestures and expressions. • 6.6–10s: Wide shot revealing the full scene as she finishes her rap, the background music crescendos, and the visuals pulse with vibrant energy. [LIGHTING & COLOR] Bright, high-contrast lighting emphasizing Marilyn's blonde hair and red lipstick, with colorful neon accents illuminating the graffiti, creating a lively and dynamic atmosphere. [VFX & CLEANUP] Subtle lens flares enhance the vibrant colors; smooth transitions between shots; ensure edges are crisp and clean. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a sorrow prompt of Sherman Hemsley dressed up like Freddy Krueger. This is a movie trailer for a movie called Freddy Jefferson. In this movie, Sherman turns into Freddy when he gets upset.

[LOGLINE] In a chilling movie trailer for "Freddy Jefferson," Sherman Hemsley transforms into a terrifying version of Freddy Krueger whenever he experiences strong emotions, blending humor and horror in unexpected ways. [SUBJECT & ACTION] Sherman Hemsley, dressed in a tattered striped sweater and a worn fedora, is shown grappling with his emotions, his face contorting as he shifts between his warm, lovable self and a sinister Freddy-like persona, complete with bladed gloves. [ENVIRONMENT] The setting alternates between a cozy living room and a nightmarish dreamscape, filled with shadows, twisted furniture, and eerie lighting that heightens the tension. [CAMERA & MOVEMENT] Slow zoom in on Sherman's face as he begins to frown, followed by rapid cuts between his normal and Freddy persona, with a quick pan to the dreamscape as chaos erupts. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Sherman smiling in his living room, soft lighting creating a warm atmosphere. • 3.3–6.6s: Sudden shift to a darker setting; Sherman’s expression changes, and he begins to morph into Freddy, quick cuts emphasizing his transformation. • 6.6–10s: A wide shot reveals the chaotic dreamscape as Freddy Jefferson looms over a terrified victim, with no new dialogue, just haunting visuals. [LIGHTING & COLOR] Warm, inviting colors in the living room contrast sharply with cold, dark tones in the dreamscape; flickering lights create an unsettling ambiance. [VFX & CLEANUP] Subtle transitions between normal and Freddy’s face; shadows should deepen around Sherman's transformation; maintain stable edges without distortion. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a parody called “Evil Dr. Kang” it’s supposed to be how MLK turned into an evil person

[LOGLINE] A parody titled “Evil Dr. Kang” explores the transformation of a revered figure into an evil persona, showcasing the dark humor of how the ideals of Martin Luther King Jr. are twisted into villainous schemes. [SUBJECT & ACTION] The character of Dr. Kang, a parody of Martin Luther King Jr., stands on a grand stage, delivering a speech that spirals from inspiring to sinister as he reveals his nefarious plans for domination, using manipulative rhetoric and charisma to sway the crowd. [ENVIRONMENT] The setting is a large auditorium filled with a diverse audience, adorned with banners that have twisted slogans reminiscent of civil rights movements, creating an atmosphere that is both celebratory and ominous. [CAMERA & MOVEMENT] Start with a wide shot of the auditorium, then slowly zoom in on Dr. Kang as he leans into the microphone, transitioning to a handheld shot that circles around him, capturing the audience's mixed reactions. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the auditorium, audience clapping, Dr. Kang steps up to the microphone, radiating charisma. • 3.3–6.6s: Medium shot of Dr. Kang as he begins his speech, his tone shifting from uplifting to darkly humorous, audience reactions vary from joy to confusion. • 6.6–10s: Close-up of Dr. Kang’s face as he reveals his evil plans with a sinister smile, audience gasps, ending with a wide shot of the audience in shock, no new dialogue. [LIGHTING & COLOR] Bright, warm stage lighting contrasts with shadowy corners of the auditorium, emphasizing Dr. Kang’s transition from light to dark, with color grading that enhances the comedic yet eerie tone of the scene. [VFX & CLEANUP] Subtle motion blur on Dr. Kang’s hand gestures; stable edges around audience reactions to enhance clarity without distraction. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.