Explore Public Sora Prompts

Hospital exterior area with overflowing medical waste containers, warning tape reading ‘Contamination’. No staff visible. Slow push-in from chest height. Slight greenish hospital tint in grading

[LOGLINE] A hospital exterior area reveals overflowing medical waste containers surrounded by ominous warning tape reading ‘Contamination’, creating a sense of unease with no staff visible. [SUBJECT & ACTION] A slow push-in shot captures the overflowing medical waste containers, emphasizing the neglected state of the hospital grounds and the threatening warning tape fluttering in the breeze. [ENVIRONMENT] The scene is set outside a dilapidated hospital, where the atmosphere is thick with a sense of abandonment and contamination. [CAMERA & MOVEMENT] Slow push-in from chest height toward the medical waste containers, maintaining a steady, deliberate pace to heighten tension. [BEAT FLOW — 10s] • 0–3.3s: Start with a wide shot of the hospital exterior, establishing the environment and the presence of the waste containers. • 3.3–6.6s: Begin the slow push-in towards the overflowing containers, focusing on the warning tape and the mess. • 6.6–10s: Continue pushing in until the camera fills the frame with the containers, allowing the ominous atmosphere to settle in silence. [LIGHTING & COLOR] Use a slightly greenish tint in grading to evoke a sterile yet unsettling hospital feel, with shadows that enhance the eerie atmosphere. [VFX & CLEANUP] Subtle motion blur to enhance the push-in effect; ensure stable edges to maintain focus on the containers and warning tape. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of John F. Kennedy Jr. dressed up like a modern day metrosexual. In the video he’s doing the Harlem shake dance. In the video he says, “I know one motherfuckin’ thing. You can’t steal my swag!”

[LOGLINE] A modern-day video of John F. Kennedy Jr., dressed as a contemporary metrosexual, confidently performs the Harlem shake dance while asserting his unique style with the line, “I know one motherfuckin’ thing. You can’t steal my swag!” [SUBJECT & ACTION] John F. Kennedy Jr. embodies a stylish metrosexual persona, showcasing his charisma and flair through the energetic Harlem shake dance. He delivers his bold line with a playful attitude, exuding confidence and charm. [ENVIRONMENT] The setting features a vibrant urban backdrop, with colorful street art and bustling city life that enhances the lively atmosphere of the Harlem shake dance. [CAMERA & MOVEMENT] Start with a dynamic zoom-in on Kennedy as he begins his dance, then switch to a wide shot capturing his full movements. Incorporate quick cuts between different angles to highlight his stylish attire and energetic dance moves. [BEAT FLOW — 10s] • 0–3.3s: Dynamic zoom-in on John F. Kennedy Jr. as he strikes a pose, showcasing his metrosexual outfit. • 3.3–6.6s: Wide shot of Kennedy starting the Harlem shake, capturing his fluid movements and charisma in the urban setting. • 6.6–10s: Quick cuts of Kennedy dancing with energy, culminating in him delivering his line, “I know one motherfuckin’ thing. You can’t steal my swag!” with a confident expression. [LIGHTING & COLOR] Bright, colorful lighting that emphasizes the vibrancy of the urban environment, with a warm tone to enhance the playful mood of the dance. Use high contrast to make Kennedy’s attire pop against the backdrop. [VFX & CLEANUP] Subtle motion blur to convey the energy of the dance; ensure stable edges to maintain a clean look throughout the video. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Close-up realista de um papagaio encurralado na parede enquanto um gato ruivo lambe o pescoço dele como se estivesse ‘dando banho’. O papagaio, com olhos arregalados, fala em tom desesperado e engraçado. Clima de humor brasileiro espontâneo, câmera estável, áudio limpo e vibe TikTok viral.

[LOGLINE] Close-up realista de um papagaio encurralado na parede enquanto um gato ruivo lambe o pescoço dele, criando uma cena hilária e desesperada em um clima de humor brasileiro espontâneo. [SUBJECT & ACTION] Um papagaio com olhos arregalados fala em tom desesperado e engraçado, enquanto um gato ruivo, agindo como se estivesse 'dando banho', lambe seu pescoço. O contraste entre a situação do papagaio e a atitude despreocupada do gato gera um momento cômico. [ENVIRONMENT] A cena se passa em um ambiente doméstico, com uma parede de fundo que destaca a tensão do momento, e elementos comuns que reforçam a natureza cotidiana da situação. [CAMERA & MOVEMENT] Câmera estável em close-up, focando nos rostos do papagaio e do gato, capturando as expressões de ambos de forma direta e íntima. [BEAT FLOW — 10s] • 0–3.3s: Close-up do papagaio com olhos arregalados, começando a falar de forma desesperada. • 3.3–6.6s: O gato ruivo começa a lamber o pescoço do papagaio, que tenta se esquivar, intensificando o tom engraçado da situação. • 6.6–10s: O papagaio finaliza sua fala com um comentário engraçado, enquanto a câmera mantém o close-up, capturando a reação do gato, sem novas falas. [LIGHTING & COLOR] Iluminação suave e natural, com cores vibrantes que destacam o verde do papagaio e o laranja do gato, criando um clima leve e cômico. [VFX & CLEANUP] Subtle motion blur; stable edges to enhance realism without distracting from the characters’ expressions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

monkey caught on doorbell dancing

[LOGLINE] A playful monkey is caught on a doorbell camera, joyfully dancing and entertaining viewers with its lively antics. [SUBJECT & ACTION] The monkey bounces and grooves energetically in front of the doorbell camera, showcasing its playful personality as it twirls and hops. [ENVIRONMENT] The setting is a suburban neighborhood, with a clear view of a front porch and a well-maintained lawn, framing the doorbell camera. [CAMERA & MOVEMENT] Static shot from the doorbell camera perspective, capturing the entire scene with occasional tight crops on the monkey’s expressive movements. [BEAT FLOW — 10s] • 0–3.3s: The monkey dances into the frame, performing a series of playful jumps and spins. • 3.3–6.6s: It pauses dramatically, tilting its head and making silly faces at the camera, showcasing its personality. • 6.6–10s: The monkey finishes with a final energetic leap, landing with a playful flourish as the scene fades out. [LIGHTING & COLOR] Natural daylight illuminates the scene, casting soft shadows on the porch; the colors are vibrant, emphasizing the monkey's fur and the greenery around it. [VFX & CLEANUP] Subtle motion blur on the monkey’s movements; clear focus on the monkey with stable edges throughout the clip. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Généré une image très apprécié d'un coach

[LOGLINE] A highly appreciated coach stands confidently in front of a group of eager athletes, inspiring them with motivational words and a passion for their growth. [SUBJECT & ACTION] The coach, a charismatic figure with an enthusiastic demeanor, gestures expressively while delivering an uplifting speech. The athletes, diverse in age and background, listen intently, their expressions shifting from determination to enthusiasm. [ENVIRONMENT] The scene takes place on a vibrant outdoor sports field, with bright green grass and a clear blue sky, creating an energetic atmosphere. [CAMERA & MOVEMENT] Start with a steady wide shot of the coach and athletes, then smoothly transition to a medium close-up of the coach as they speak, followed by a quick pan to capture the attentive faces of the athletes. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the coach standing in front of the group, arms open as they begin to speak. • 3.3–6.6s: Medium close-up of the coach passionately delivering their message, conveying enthusiasm. • 6.6–10s: Quick pan across the athletes’ faces, showing a mix of determination and inspiration, ending with a focus on one athlete smiling brightly. [LIGHTING & COLOR] Bright, natural lighting enhances the vibrant colors of the field and the coach's attire, creating an uplifting and motivational atmosphere. [VFX & CLEANUP] Subtle motion blur during the pan; ensure stable edges around characters and environment for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

In coach en développement professionnel Assis sur une chaise entrain de motivé le monde entier sur l'Afrique

[LOGLINE] A professional coach passionately motivates an audience while seated on a chair, focusing on the potential and opportunities in Africa. [SUBJECT & ACTION] The coach, exuding charisma and enthusiasm, gestures animatedly as they share inspiring stories and insights about Africa's rich culture and possibilities, aiming to uplift and empower everyone listening. [ENVIRONMENT] The setting is a brightly lit conference room filled with diverse attendees, with a large map of Africa prominently displayed in the background, symbolizing the continent's significance. [CAMERA & MOVEMENT] Start with a medium shot of the coach, then transition to a close-up as they emphasize key points, followed by a wide shot capturing the audience's reactions. [BEAT FLOW — 10s] • 0–3.3s: The coach begins speaking, smiling warmly at the audience, establishing a connection. • 3.3–6.6s: They raise their hands passionately, sharing a compelling story about African resilience, with audience members nodding in agreement. • 6.6–10s: The coach concludes with a powerful call to action, inviting everyone to believe in the potential of Africa, as the camera zooms out slightly to show the entire room's engagement. [LIGHTING & COLOR] Bright, warm lighting enhances the positive atmosphere, with a focus on natural tones to reflect the vibrancy of Africa; subtle highlights on the coach to draw attention. [VFX & CLEANUP] Smooth transitions between shots; ensure clarity and focus on the coach without distractions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A chiropractor does something absurd with the pasient resulting in breaking things

[LOGLINE] A chiropractor attempts an unconventional treatment on a patient, leading to a series of absurd mishaps that end with the clinic in chaos as objects comically break around them. [SUBJECT & ACTION] The chiropractor, with a quirky enthusiasm, engages in an exaggerated adjustment maneuver on their nervous patient, causing unexpected reactions and resulting in the shattering of various props in the clinic. [ENVIRONMENT] The scene is set in a brightly lit chiropractic office, filled with typical treatment equipment, exercise balls, and framed anatomy posters on the walls. [CAMERA & MOVEMENT] Start with a wide shot of the clinic, then quickly cut to a medium shot of the chiropractor and patient, followed by a close-up of the patient's anxious expression, and finally, a dynamic zoom-in on the breaking objects. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the chiropractor's office, establishing the setting, with the chiropractor enthusiastically gesturing. • 3.3–6.6s: Medium shot of the chiropractor preparing for the adjustment, focusing on the nervous patient. • 6.6–10s: Close-up of the adjustment moment, followed by a rapid succession of breaking sounds and objects flying, ending with a wide shot of the chaotic aftermath. [LIGHTING & COLOR] Bright, warm lighting fills the clinic, enhancing the comedic tone, with pops of color from the exercise equipment and posters creating a lively atmosphere. [VFX & CLEANUP] Add subtle motion blur during the chaotic moments of breaking objects; ensure edges remain stable to maintain clarity in the comedic chaos. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of a young JFK driving a small rescue boat during a battle in World War II. He’s rapping with a flow reminiscent of Eminem. He’s rapping about how too much use of auto tune is hurting the rap game.

[LOGLINE] A young JFK navigates a small rescue boat during a fierce World War II battle, delivering a rapid-fire rap reminiscent of Eminem about the detrimental effects of excessive auto-tune on the rap game. [SUBJECT & ACTION] JFK, youthful and determined, grips the boat's wheel as he steers through choppy waters, passionately rapping with a sharp flow, emphasizing his points about authenticity in music. [ENVIRONMENT] The scene is set on a tumultuous ocean, with smoke and distant explosions around, reflecting the chaos of battle while the sky is overcast and filled with tension. [CAMERA & MOVEMENT] Dynamic handheld tracking as the camera moves alongside JFK, pushing in during impactful lines and pulling back to capture the surrounding chaos of the battle. [BEAT FLOW — 10s] • 0–3.3s: JFK appears focused, driving the boat as waves crash against it; he starts his rap with intensity. • 3.3–6.6s: The camera pulls in closer to capture his expressive gestures; he emphasizes key lines about auto-tune. • 6.6–10s: As he concludes his verse, the camera pulls back to show the boat navigating through the battle, with no new dialogue, just the sound of the ocean and distant explosions. [LIGHTING & COLOR] Overcast and moody lighting with a blue-grey color palette reflecting the urgency of the scene; highlights on JFK's face to capture his passion. [VFX & CLEANUP] Subtle motion blur during rapid movements; stable edges to maintain clarity amidst the chaos of battle. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a rap video with Ronald Reagan rapping about how bad the democrats are. He’s riding in a 64 impala. His rap flow reminds you of Jay Z. Ronald is wearing his normal suit and tie. Riding around Washington DC in this video.

[LOGLINE] A rap video featuring Ronald Reagan in a suit and tie, delivering a powerful rap reminiscent of Jay Z, while driving through Washington DC in a classic 1964 Impala, criticizing the Democrats. [SUBJECT & ACTION] Ronald Reagan confidently raps about the failings of the Democrats, leaning out of the window of his sleek 64 Impala, gesturing passionately to the beat. His lyrics are sharp and impactful, reflecting his political stance. [ENVIRONMENT] The vibrant streets of Washington DC serve as the backdrop, showcasing iconic landmarks and the hustle of the city. [CAMERA & MOVEMENT] Steady shots of the Impala cruising through the city, interspersed with dynamic close-ups of Reagan as he delivers his lines, and wide shots capturing the urban landscape. [BEAT FLOW — 10s] • 0–3.3s: Reagan in the Impala, starting his rap with a confident smile, cityscape flashing by. • 3.3–6.6s: Close-up on Reagan, emphasizing his expressions and hand gestures as he critiques the Democrats. • 6.6–10s: Wide shot of the Impala driving off into the sunset, Reagan finishing his verse, transitioning to a visual of the city skyline. [LIGHTING & COLOR] Bright, natural daylight highlighting the vibrant colors of the Impala and the city, with a slight warm tint to evoke a nostalgic feel. [VFX & CLEANUP] Smooth transitions between shots; subtle motion blur during quick movements; stable edges around characters and the car. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a r&b duet featuring Gary Coleman and Dana Plato. The name of the lustful song is called Different Strokes. At the the end of the clip, put the title, “Different Strokes” on the screen.

[LOGLINE] An R&B duet featuring Gary Coleman and Dana Plato passionately singing their lustful song "Different Strokes," culminating in a visually striking display of their chemistry. [SUBJECT & ACTION] Gary Coleman and Dana Plato perform together, exchanging flirtatious glances and playful gestures as they sing about their passionate connection. Their chemistry is palpable, drawing the audience into the emotions of the song. [ENVIRONMENT] The scene is set in a vibrant, intimate lounge filled with soft, ambient lighting, plush couches, and a small stage adorned with colorful lights that pulse to the rhythm of the music. [CAMERA & MOVEMENT] Smooth dolly-in towards the duo as they sing, with occasional quick pans to capture their expressive faces, and a slight pull back to reveal the cozy atmosphere of the lounge. [BEAT FLOW — 10s] • 0–3.3s: Gary and Dana lock eyes, their smiles warm and inviting as the music begins. • 3.3–6.6s: They intertwine their fingers, leaning closer, with playful banter and synchronized movements that emphasize the song's flirtatious nature. • 6.6–10s: The camera pulls back slightly to reveal the lounge ambiance, as the music swells, and the title “Different Strokes” appears on the screen, finalizing the scene. [LIGHTING & COLOR] Soft, warm lighting with a slight golden hue to create a romantic atmosphere, accentuating the colors of the lounge and the performers' outfits in rich, inviting tones. [VFX & CLEANUP] Subtle motion blur during the camera movements; ensure stable edges around the performers to maintain focus on their expressions and interactions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Nat King Cole vs Shock g in a Verzuz competition.

[LOGLINE] A vibrant Verzuz competition unfolds between legendary musicians Nat King Cole and Shock G, showcasing their unique styles and musical legacies. [SUBJECT & ACTION] Nat King Cole, dressed in a classic suit, performs a smooth jazz number while Shock G, in his signature colorful attire, counters with a dynamic hip-hop track, creating an electric atmosphere filled with musical rivalry and mutual respect. [ENVIRONMENT] The competition takes place on a grand stage adorned with vintage and modern music elements, featuring a backdrop of vibrant lights and a cheering audience that reflects the energy of both eras. [CAMERA & MOVEMENT] Start with a wide shot of the stage, then transition to close-ups of each artist as they perform. Use smooth dolly movements to capture the audience's reactions, and quick cuts to highlight the intensity of their performances. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the stage with both Nat King Cole and Shock G, introducing the competition with upbeat music. • 3.3–6.6s: Close-up on Nat King Cole as he sings, capturing his charisma and the elegance of his performance. • 6.6–10s: Quick cuts to Shock G, showcasing his energetic delivery, with audience reactions building to the climax of the competition. [LIGHTING & COLOR] Use warm, soft lighting for Nat King Cole to highlight the nostalgic vibe, while vibrant, dynamic lighting for Shock G creates a contrast that emphasizes the modern hip-hop aesthetic. [VFX & CLEANUP] Incorporate subtle motion blur during transitions; maintain stable edges to enhance the clarity of the performances. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a music video in 4k of Wilt Chamberlain performing a r& b song called “Soul Pole”.

[LOGLINE] A vibrant music video in 4K captures Wilt Chamberlain performing his R&B song "Soul Pole," showcasing his charisma and unique dance moves. [SUBJECT & ACTION] Wilt Chamberlain, dressed in a stylish, retro outfit, passionately sings "Soul Pole" while performing smooth dance moves, engaging the audience with his charm and energy. [ENVIRONMENT] The setting is a lively urban rooftop at sunset, adorned with colorful lights and cityscape views in the background, creating a vibrant and dynamic atmosphere. [CAMERA & MOVEMENT] Handheld tracking shot moves alongside Wilt as he dances, with occasional close-ups on his expressive facial gestures, complemented by sweeping aerial shots of the rooftop. [BEAT FLOW — 10s] • 0–3.3s: Wilt starts singing the opening lines, camera smoothly panning around him, capturing his confident stance. • 3.3–6.6s: The camera moves in closer, focusing on his footwork and captivating dance moves, while the vibrant city lights flicker in the background. • 6.6–10s: Wilt transitions into a powerful chorus, showcasing his vocal range, the camera pulling back to reveal the full rooftop scene as the song reaches its climax. [LIGHTING & COLOR] Warm, golden lighting illuminates Wilt, with colorful, pulsating lights reflecting the rhythm of the music, creating a lively, inviting ambiance. [VFX & CLEANUP] Subtle lens flares and light trails following Wilt's movements; stable edges to maintain focus on the performance. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Don in movie called “Evil Don” . This movie is about a man that started out being good, but turned evil when he was a kid he went to church and sang the choir. He was also a Boy Scout. He went to war as an adult and came back in evil person.

[LOGLINE] In “Evil Don,” a man who was once a choir-singing, Boy Scout child transforms into a sinister figure after returning from war, exploring the dark journey of his lost innocence. [SUBJECT & ACTION] Don, a once-innocent boy with a bright future, is depicted as he reflects on his past in a dimly lit room filled with memories, showcasing his transition from good to evil through haunting flashbacks and menacing expressions. [ENVIRONMENT] The scene takes place in a shadowy, cluttered room adorned with mementos of Don's childhood, including a dusty Boy Scout uniform and a faded choir certificate, contrasting with dark, ominous lighting that hints at his sinister transformation. [CAMERA & MOVEMENT] Slow dolly in towards Don's face as he remembers his past; quick cuts to flashbacks of choir practice and Boy Scout activities; shaky handheld shots during the war memories to convey chaos. [BEAT FLOW — 10s] • 0–3.3s: Close-up on Don's face, deep in thought, shadows casting over him, evoking a sense of regret. • 3.3–6.6s: Flashback cuts to a younger Don singing joyfully in the choir, vibrant colors contrasting the current darkness. • 6.6–10s: Return to Don's sinister expression as he clenches his fists, the atmosphere growing tense, no new dialogue as the scene fades to black. [LIGHTING & COLOR] Low-key lighting predominates the scene, with harsh shadows to emphasize Don's inner turmoil; muted colors in the present contrast with brighter, nostalgic hues in the flashbacks. [VFX & CLEANUP] Subtle transitions between flashbacks; gentle fade-outs; maintain stable edges without distortion. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a cartoon called “Ghetto Heaven” it’s a place where all the famous celebrities live after passing away. The main character in this cartoon trailer is Tupac Shakur and Sammy Davis Jr.

[LOGLINE] In the animated trailer for “Ghetto Heaven,” Tupac Shakur and Sammy Davis Jr. navigate a vibrant afterlife where famous celebrities dwell, showcasing their adventures and interactions in this whimsical paradise. [SUBJECT & ACTION] Tupac and Sammy, both iconic figures, share laughter and reminisce about their lives while engaging with other celebrity residents. They explore Ghetto Heaven, filled with nostalgic nods to their pasts, as they inspire joy and creativity among their fellow inhabitants. [ENVIRONMENT] Ghetto Heaven is a colorful, lively landscape featuring iconic landmarks from various celebrities’ lives, with elements of music, art, and entertainment woven throughout. [CAMERA & MOVEMENT] Smooth dolly shots glide through the bustling streets of Ghetto Heaven, capturing the vibrant interactions between characters; quick cuts highlight the humor and energy of their conversations. [BEAT FLOW — 10s] • 0–3.3s: The camera sweeps over Ghetto Heaven, showcasing famous landmarks and celebrity interactions. • 3.3–6.6s: Close-ups on Tupac and Sammy as they engage in playful banter, animated expressions highlighting their charisma. • 6.6–10s: A montage of laughter and music builds up, leading to a joyful celebration, ending with a wide shot of Ghetto Heaven as the characters share a heartfelt moment. [LIGHTING & COLOR] Bright, saturated colors bring Ghetto Heaven to life, with dynamic lighting that emphasizes the jubilant atmosphere, casting playful shadows that dance along the vibrant streets. [VFX & CLEANUP] Subtle motion blur enhances the sense of movement; edges remain stable to maintain clarity and focus on character interactions. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video of Mona Lisa freestyling to a beat that gives you Wu Tang vibes.

[LOGLINE] Mona Lisa breaks the boundaries of time as she confidently freestyles to a beat infused with Wu Tang vibes, showcasing her unexpected prowess in a vibrant, modern setting. [SUBJECT & ACTION] Mona Lisa, the iconic figure from the Renaissance, raps with charisma and rhythm, her expression transitioning from mysterious to animated as she delivers clever wordplay, fully immersed in the beat. [ENVIRONMENT] The scene is set in a contemporary urban environment, with graffiti art adorning brick walls, colorful street art in the background, and a crowd of onlookers vibing to the performance. [CAMERA & MOVEMENT] Dynamic handheld shots circle around Mona Lisa, capturing her full-body movements and facial expressions, while zooming in on her hands as she gestures emphatically to the beat. [BEAT FLOW — 10s] • 0–3.3s: The camera begins with a wide shot of the urban setting, slowly zooming in on Mona Lisa as the beat drops. • 3.3–6.6s: Close-up shots of Mona Lisa's animated facial expressions and hand gestures, intercut with the crowd's reactions, enhancing the energy of her performance. • 6.6–10s: The camera pulls back to reveal Mona Lisa in her full glory, rapping the final lines with passion, while the crowd cheers, fading out on her confident smile. [LIGHTING & COLOR] Bright, vibrant colors illuminate the scene, with dynamic lighting that shifts to match the rhythm of the beat, highlighting Mona Lisa's features and the surrounding graffiti. [VFX & CLEANUP] Subtle motion blur enhances the energy of the scene; maintain stable edges around Mona Lisa to keep her as the focal point amidst the dynamic background. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video in 4k that features Richard Pryor, Gene Hackman, and Gene Wilder. They’re army commandos assigned to save the world from the evil.

[LOGLINE] Richard Pryor, Gene Hackman, and Gene Wilder, as army commandos, embark on a comedic mission to save the world from an evil villain. [SUBJECT & ACTION] The trio navigates through a series of outrageous obstacles, showcasing their unique personalities and comedic chemistry as they strategize and bicker over unconventional tactics to thwart the villain's plans. [ENVIRONMENT] Set in a vibrant, exaggerated military base filled with high-tech gadgets and surreal landscapes, contrasting with the seriousness of their mission. [CAMERA & MOVEMENT] Dynamic handheld shots capture the action, with quick zooms on characters during comedic moments and smooth tracking shots following the trio as they move through the military base. [BEAT FLOW — 10s] • 0–3.3s: Richard Pryor cracks a joke while peering over a high-tech gadget, causing Gene Hackman to roll his eyes. • 3.3–6.6s: Gene Wilder pulls out an absurdly large map, leading to a comedic misunderstanding between the trio about their destination. • 6.6–10s: The camera zooms out to show the chaotic scene as they rush off together, with a playful musical cue building excitement for their adventure. [LIGHTING & COLOR] Bright, high-contrast lighting enhances the comedic tone, with vibrant colors showcasing the absurdity of the environment and the characters' expressions. [VFX & CLEANUP] Subtle motion blur during fast movements; stable edges to maintain focus on character interactions and comedic timing. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a video in 4k that features Walter Payton, Jim Brown, and Junior Seau. They’re army commandos assigned to save the world from the evil.

[LOGLINE] Walter Payton, Jim Brown, and Junior Seau, legendary football players turned army commandos, embark on a high-stakes mission to save the world from a looming evil threat. [SUBJECT & ACTION] The trio, clad in tactical gear, strategizes together while preparing their weapons and gear for the upcoming confrontation. They display camaraderie and determination, showcasing their athletic prowess as they execute a series of intense training maneuvers. [ENVIRONMENT] The scene takes place in a dimly lit military command center, filled with maps, high-tech gadgets, and surveillance screens displaying the evil organization's movements. [CAMERA & MOVEMENT] Smooth tracking shots follow the characters as they move around the command center, with occasional close-ups on their focused expressions. A handheld shot captures the intensity of their training maneuvers, emphasizing their athleticism. [BEAT FLOW — 10s] • 0–3.3s: The camera pans across the command center, revealing the trio deep in discussion, with close-ups on their determined faces. • 3.3–6.6s: Cut to action shots of Walter, Jim, and Junior executing training drills, showcasing their strength and agility, interspersed with quick reaction shots of their serious strategizing. • 6.6–10s: The three of them gather around a digital map, pointing at key locations, their expressions resolute, as the camera slowly zooms in on the map, fading to black at the end. [LIGHTING & COLOR] The lighting is low and dramatic, with shadows creating a sense of urgency. Cool tones dominate the color palette, punctuated by the warm glow of the screens, enhancing the high-tech atmosphere. [VFX & CLEANUP] Subtle motion blur during action sequences; stable edges for clarity and focus on characters' movements. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a sora prompt for a video of a motocross race that was held on the surface of the moon. The bikers are in modern astronaut outfits. The race is at night with lighting setup around the race track for visibility.

[LOGLINE] A thrilling motocross race unfolds on the surface of the moon, featuring bikers clad in modern astronaut outfits, racing under a night sky illuminated by strategically placed lighting around the track. [SUBJECT & ACTION] Bikers rev their engines, kicking up moon dust as they accelerate around the lunar track, showcasing daring jumps and tight turns in their high-tech, space-themed motocross gear. [ENVIRONMENT] The stark, gray lunar landscape glows under the artificial lights, with Earth visible in the background, creating a breathtaking contrast between the dark sky and the vibrant race. [CAMERA & MOVEMENT] Dynamic tracking shots follow the bikers as they race, with occasional aerial views capturing the full scope of the moonlit track and the surrounding landscape. [BEAT FLOW — 10s] • 0–3.3s: Close-up of bikers revving their engines, focusing on their determined expressions. • 3.3–6.6s: Wide shot of the race starting, bikes launching forward, dust clouds swirling in low gravity. • 6.6–10s: Action-packed sequence of bikers executing jumps, with lights reflecting off their suits, ending with a dramatic shot of the Earth in the background. [LIGHTING & COLOR] Bright, focused lights illuminate the track, casting sharp shadows and enhancing the contrast between the dark moon surface and the colorful astronaut outfits. [VFX & CLEANUP] Subtle motion blur during fast movements; ensure edges are stable and clear, enhancing the futuristic aesthetic without distracting elements. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a tv commercial that’s grainy like it was filmed on VHS in the 90’s. The video is in black and white. In the video Malcolm X is in a commercial for his restaurant. It’s a BBQ restaurant called Malcolm’s Chicken and Ribs. All the women in the trailer are wearing Louis Vuitton burka’s The men inside are dressed like rich men from the Middle East.

[LOGLINE] A grainy black-and-white VHS commercial features Malcolm X promoting his BBQ restaurant, Malcolm’s Chicken and Ribs, amidst a unique setting of women in Louis Vuitton burkas and men dressed as affluent Middle Eastern gentlemen. [SUBJECT & ACTION] Malcolm X passionately describes the mouth-watering menu of Malcolm’s Chicken and Ribs, gesturing toward sizzling dishes while women in stylish Louis Vuitton burkas serve food and men in luxurious Middle Eastern attire enjoy their meals. [ENVIRONMENT] The interior of the restaurant is decorated with vintage memorabilia, creating a nostalgic yet upscale atmosphere, with a bustling kitchen visible in the background. [CAMERA & MOVEMENT] Handheld camera work captures the lively action, with occasional zoom-ins on Malcolm's animated expressions and close-ups of the food being served, creating an intimate and energetic feel. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Malcolm X, smiling, as he introduces Malcolm's Chicken and Ribs with a warm, inviting tone. • 3.3–6.6s: Cut to women in Louis Vuitton burkas elegantly serving food, interspersed with shots of men in Middle Eastern attire enjoying their meals, laughter and clinking glasses heard in the background. • 6.6–10s: Back to Malcolm X delivering a powerful line about community and flavor, with a final shot of the restaurant's exterior, fading to black as the ambient sounds of the restaurant continue. [LIGHTING & COLOR] Soft, diffused lighting mimics the feel of vintage VHS tapes, with high contrast between light and dark areas emphasizing the grainy black-and-white aesthetic. [VFX & CLEANUP] Add a subtle VHS tape effect with distortion and slight flicker; maintain stable edges to ensure clarity of the subjects while retaining the nostalgic vibe. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a Pixar style movie trailer for a movie called, “Sky the Spy”. Sky is a chihuahua that’s from the south side of Chicago. This movie is about a dog that is the ambassador to a country called “Laflin” by day. At night, Sky is a spy for the government. He talks like human but he also barks when necessary. Put the title of the movie with an R rating at the end of the trailer like it would show on a movie poster.

[LOGLINE] In the heart of Chicago, a chihuahua named Sky serves as an ambassador by day and a covert spy by night, navigating a world filled with espionage and adventure. [SUBJECT & ACTION] Sky, the chihuahua, confidently struts through a bustling Chicago neighborhood, wearing a tiny ambassador's blazer during the day, while at night, he stealthily maneuvers through shadows, using his keen instincts to gather intel. He speaks with a human-like eloquence but barks at critical moments to communicate with his fellow agents. [ENVIRONMENT] The trailer showcases vibrant scenes from the lively streets of Chicago and the whimsical, colorful country of Laflin, filled with quirky characters and stunning landscapes. [CAMERA & MOVEMENT] Smooth dolly shots glide through the Chicago streets, transitioning to quick cuts and dynamic angles as Sky transforms from ambassador to spy, with the camera following closely behind him in action sequences. [BEAT FLOW — 10s] • 0–3.3s: Sky, in his ambassador outfit, greets citizens with charm on a sunny Chicago street, fading into laughter and barks from a nearby park. • 3.3–6.6s: Fast-paced sequences of Sky sneaking through dark alleys, dodging obstacles, and using gadgets, intercut with his witty dialogue. • 6.6–10s: A dramatic close-up of Sky’s determined expression followed by a high-energy chase scene, culminating in the title “Sky the Spy” appearing boldly on screen with an R rating. [LIGHTING & COLOR] Bright, vibrant colors during the daytime scenes contrast with darker, moody tones at night, highlighting the duality of Sky’s life as an ambassador and a spy, with playful lighting effects. [VFX & CLEANUP] Subtle motion blur enhances the action sequences; clean transitions between day and night scenes ensure a seamless flow. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Create a movie trailer for a movie called, “Sky the Spy”. Sky is a chihuahua that’s from the south side of Chicago. This movie is about a dog that is the ambassador to a country called “Laflin” by day. At night, Sky is a spy for the government. He talks like human but he also barks when necessary. Put the title of the movie with an R rating at the end of the trailer like it would show on a movie poster.

[LOGLINE] In "Sky the Spy," a chihuahua named Sky navigates the bustling streets of south side Chicago by day as the charming ambassador of Laflin, while moonlighting as a sharp-witted government spy at night. [SUBJECT & ACTION] Sky, the chihuahua, struts confidently through the vibrant neighborhoods of Chicago, engaging in diplomatic meetings before seamlessly transforming into a stealthy spy, using his quick wit and agility to gather crucial intel, barking only when necessary. [ENVIRONMENT] The setting alternates between the colorful, sunlit streets of Chicago filled with lively markets and parks, and the shadowy, tense atmospheres of dimly lit alleyways and secret government hideouts. [CAMERA & MOVEMENT] Smooth tracking shots follow Sky as he moves through the streets; quick cuts and close-ups highlight his expressions during spy missions; handheld shots create tension during action sequences. [BEAT FLOW — 10s] • 0–3.3s: Sky confidently walks through a bustling Chicago street, greeting people and showcasing his ambassadorial charm. • 3.3–6.6s: Transition to a dark alley where Sky is on a covert mission, darting between shadows, using stealthy movements. • 6.6–10s: A dramatic reveal of Sky barking at an unseen threat, followed by a close-up of his determined face, ending with the title "Sky the Spy" and the R rating. [LIGHTING & COLOR] Bright, warm colors illuminate the daytime scenes, contrasting with cool, dark tones during the night-time spy sequences; strategic lighting highlights Sky's expressions and the tension of his surroundings. [VFX & CLEANUP] Subtle motion blur during action scenes; stable edges to maintain focus on Sky; ensure clear visibility of characters without distracting artifacts. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

The following events happen in sequence: @starjosh.roxy is at a car lot attempting to buy a sports car from a salesman. She says, "Show me the car facts." @thevulfox.delphop then appears in the sports car screeching like a fox.

[LOGLINE] @starjosh.roxy is at a car lot attempting to buy a sports car from a salesman when @thevulfox.delphop suddenly appears in the vehicle, screeching like a fox. [SUBJECT & ACTION] @starjosh.roxy stands confidently at the car lot, engaging with a salesman as she confidently states, "Show me the car facts." Just then, @thevulfox.delphop makes an unexpected entrance, screeching like a fox from inside the sports car. [ENVIRONMENT] The scene is set in a vibrant car lot filled with shiny sports cars, with bright banners fluttering in the breeze and a clear blue sky overhead. [CAMERA & MOVEMENT] Start with a medium shot of @starjosh.roxy and the salesman, then quickly pan to the sports car as @thevulfox.delphop screeches in, capturing the dynamic movement. [BEAT FLOW — 10s] • 0–3.3s: Medium shot of @starjosh.roxy at the car lot, confidently speaking to the salesman. • 3.3–6.6s: Cut to a close-up of @starjosh.roxy as she says, "Show me the car facts." • 6.6–10s: Quick pan to the sports car as @thevulfox.delphop screeches in, creating a surprising and comedic effect. [LIGHTING & COLOR] Bright, sunny lighting to emphasize the cheerful, energetic atmosphere of the car lot, with vibrant colors reflecting off the polished car surfaces. [VFX & CLEANUP] Subtle motion blur during the pan to enhance the speed of the sports car's entrance; stable edges to maintain clarity in the characters and environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

https://sora.chatgpt.com/p/s_691df833d5d48191acde5683b0f5eb01

[LOGLINE] A determined young girl named Lila, with vivid green eyes and wild curly hair, ventures into a mysterious enchanted forest to rescue her lost kitten, facing magical creatures and uncovering her hidden bravery. [SUBJECT & ACTION] Lila, dressed in a bright yellow raincoat, navigates through the dense, misty forest, calling out for her kitten, while encountering whimsical creatures like a talking rabbit and a mischievous sprite who test her courage. [ENVIRONMENT] The enchanted forest is filled with towering, bioluminescent trees, shimmering flowers, and a soft, ethereal glow that hints at the magic within. [CAMERA & MOVEMENT] Steady dolly shot following Lila as she walks deeper into the forest, intercut with close-ups of her expressions and the magical creatures she encounters, creating a sense of wonder and urgency. [BEAT FLOW — 10s] • 0–3.3s: Lila enters the forest, looking around with curiosity and concern, calling for her kitten. • 3.3–6.6s: The camera shifts to a close-up of a talking rabbit, who teases Lila about her bravery, prompting her to stand tall. • 6.6–10s: Lila, now more confident, smiles as she continues deeper into the forest, the rabbit following her, ending with a wide shot of the glowing forest around them. [LIGHTING & COLOR] Soft, diffused lighting with warm hues illuminating Lila and the creatures, contrasting with the cool, mystical blues and greens of the forest, enhancing the magical atmosphere. [VFX & CLEANUP] Gentle sparkles around magical creatures; subtle motion blur on Lila's movements to convey her determination, with stable edges for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

рыбацкий корабль. ночь. шторм. дождь. съемка камерой видеонаблюдения с типичными символами на екране (дата и моргающая красная точка), рыбаки вытягивают неизвесное существо которое попалось в сети. оно пронзительно кричит и вырывается, его размер примерно с человека, команда кричит, паникует, бегает по палубе. нужен хук с первой секунды, крики. паника.. чтобы зритель не понимал что происходит. рыбаки разговаривают на индонезийском

[LOGLINE] A fishing boat battles a raging storm at night as fishermen discover an unknown creature caught in their nets, leading to chaos on deck. [SUBJECT & ACTION] The crew, speaking in Indonesian, frantically pulls an unknown creature the size of a human from the nets. It lets out a piercing scream, breaks free, and panic ensues as the fishermen run around the deck in fear. [ENVIRONMENT] The scene is set on a fishing boat in the middle of a violent storm, with heavy rain pouring down and waves crashing against the hull. [CAMERA & MOVEMENT] Start with a tight shot on the surveillance screen showing the date and a blinking red dot, then transition to a wide shot of the deck as fishermen scramble, capturing their frantic movements. [BEAT FLOW — 10s] • 0–3.3s: The screen flickers to life, showing the date and a blinking red dot; chaotic sounds of the storm and fishermen's shouts fill the air. • 3.3–6.6s: The creature is revealed as it is pulled from the net, its horrifying scream echoes, and the crew erupts in panic, running in different directions. • 6.6–10s: Close-ups of terrified faces and the creature thrashing, creating a chaotic atmosphere; the sound of the storm intensifies, leaving viewers in suspense. [LIGHTING & COLOR] Dark and moody lighting with flashes of lightning illuminating the scene intermittently; colors are muted with cold blues and grays to emphasize the stormy night. [VFX & CLEANUP] Add subtle rain effects on the camera lens; ensure smooth transitions between shots without abrupt cuts. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.