Explore Public Sora Prompts

A radiant, confident woman speaks directly to camera about her church’s mission to support families in need, while visuals show hands preparing donation boxes and a community center filled with hope and action. Smooth handheld, slightly intimate feel • Quick cinematic insert shots for hands + care package items • End with warm, centered shot looking into camera

[LOGLINE] A radiant, confident woman speaks directly to the camera about her church’s mission to support families in need, showcasing the community's dedication through hands preparing donation boxes and a bustling community center filled with hope and action. [SUBJECT & ACTION] The woman, embodying warmth and assurance, addresses the audience about the importance of community support, while visuals of hands diligently packing care package items unfold in tandem. [ENVIRONMENT] A vibrant community center filled with activity, where volunteers are engaged in preparing donation boxes, surrounded by an atmosphere of hope and collaboration. [CAMERA & MOVEMENT] Smooth handheld shots create an intimate feel as the camera captures the woman speaking directly to the audience, intercut with quick cinematic insert shots of hands and care package items. [BEAT FLOW — 10s] • 0–3.3s: The woman begins to speak, smiling warmly at the camera. • 3.3–6.6s: Quick cinematic insert shots of hands preparing donation boxes, with close-ups on care package items being placed inside. • 6.6–10s: The camera returns to a warm, centered shot of the woman looking into the camera, her message resonating with the audience. [LIGHTING & COLOR] Soft, natural lighting enhances the warmth of the scene, creating an inviting atmosphere with bright but gentle tones that reflect hope and community spirit. [VFX & CLEANUP] Subtle motion blur for dynamic shots; stable edges to maintain focus on the woman and action around her. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A warm, confident woman on welcomes viewers to her church seen only through her posture, hands, and presence emphasizing purpose, hope, and community — followed by a sweeping reveal of a modern church venue filled with people applauding in uplifting unity.

[LOGLINE] A warm, confident woman welcomes viewers to her church, her posture, hands, and presence radiating purpose, hope, and community as she stands before an audience. [SUBJECT & ACTION] The woman stands with open arms, engaging with the viewers through her expressive gestures, embodying warmth and confidence. Following her introduction, the scene transitions to a sweeping reveal of a modern church venue filled with people who applaud in uplifting unity. [ENVIRONMENT] The setting is a contemporary church interior, featuring sleek architectural lines, vibrant decorations, and a welcoming atmosphere filled with natural light and smiling faces. [CAMERA & MOVEMENT] Start with a close-up on the woman, then gently pull back for a medium shot as she gestures. After her introduction, execute a sweeping crane shot to reveal the audience in the venue, capturing their applause and expressions of joy. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the woman's face as she welcomes viewers, her hands open and expressive. • 3.3–6.6s: Medium shot revealing her confident posture, as she gestures towards the audience with warmth. • 6.6–10s: Sweeping crane shot transitions to the audience, showcasing the modern church filled with people applauding in unity. [LIGHTING & COLOR] Utilize warm, inviting lighting to enhance the church's atmosphere, with soft highlights on the woman’s face and natural light streaming through windows, creating a vibrant and uplifting color palette. [VFX & CLEANUP] Subtle motion blur on sweeping shots; stable edges throughout the scene to emphasize clarity and warmth. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A warm, confident woman on stage welcomes viewers to her church — emphasizing purpose, hope, and community — followed by a sweeping reveal of a modern church venue filled with people applauding in uplifting unity.

[LOGLINE] A warm, confident woman stands on stage welcoming viewers to her church, emphasizing purpose, hope, and community, followed by a sweeping reveal of a modern church venue filled with people applauding in uplifting unity. [SUBJECT & ACTION] The woman, radiating positivity, gestures invitingly to the audience as she speaks about the importance of community. As she finishes her speech, the camera pulls back to reveal the vibrant congregation, creating a sense of togetherness and celebration. [ENVIRONMENT] The setting is a modern church venue with bright, open spaces and contemporary design, bustling with diverse individuals engaged in applause and joyful expressions. [CAMERA & MOVEMENT] Start with a medium shot of the woman on stage, then smoothly transition to a wide shot that sweeps across the audience, capturing their enthusiasm and unity. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the woman speaking confidently, her warm smile inviting the audience in. • 3.3–6.6s: Transition to a medium shot as she gestures passionately about purpose and hope. • 6.6–10s: Wide shot revealing the audience, filled with applause and smiles, showcasing the vibrant community atmosphere. [LIGHTING & COLOR] Use warm, soft lighting to create an inviting atmosphere, with highlights on the woman’s face to emphasize her confidence. The audience is bathed in a golden hue to evoke a sense of warmth and unity. [VFX & CLEANUP] Add subtle motion blur during the sweeping reveal to create a smooth transition; maintain stable edges for clarity in the visuals. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A warm, confident woman welcomes viewers to her church — emphasizing purpose, hope, and community — followed by a sweeping reveal of a modern church venue filled with people applauding in uplifting unity.

[LOGLINE] A warm, confident woman welcomes viewers to her church, emphasizing purpose, hope, and community, followed by a sweeping reveal of a modern church venue filled with people applauding in uplifting unity. [SUBJECT & ACTION] The woman stands at the entrance of the church, smiling warmly as she addresses the camera, her voice resonating with positivity. After her welcoming speech, the scene transitions into a wide shot of the church interior, showcasing the congregation clapping and celebrating together. [ENVIRONMENT] The setting is a contemporary church with high ceilings, bright lighting, and vibrant decor that reflects a sense of community and inclusion. [CAMERA & MOVEMENT] Start with a steady medium shot of the woman, then perform a smooth dolly out to reveal the church interior, capturing the energy of the applauding congregation. [BEAT FLOW — 10s] • 0–3.3s: The woman smiles and speaks directly to the camera, sharing her message of purpose and hope. • 3.3–6.6s: The camera begins to pull back, revealing more of the church as the sound of applause grows louder. • 6.6–10s: The full view of the modern church venue is displayed, filled with people clapping, culminating in an atmosphere of unity and celebration. [LIGHTING & COLOR] The lighting is bright and inviting, with warm tones that enhance the welcoming atmosphere. Soft spotlights highlight the woman, while ambient lighting fills the church to create a sense of warmth. [VFX & CLEANUP] Subtle motion blur for dynamic transitions; stable edges to maintain clarity of the subjects and environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A woman walking at beach with a hotse

[LOGLINE] A woman walks along a serene beach, accompanied by her majestic horse, creating a peaceful and harmonious scene. [SUBJECT & ACTION] The woman, with a calm expression, gently guides her horse along the shoreline, allowing the waves to lap at their feet as the sun begins to set. [ENVIRONMENT] The setting is a picturesque beach at sunset, with soft golden light illuminating the sky and reflecting off the water. [CAMERA & MOVEMENT] Slow, sweeping pan along the beach, following the woman and her horse as they walk; occasional close-ups on their feet splashing in the water. [BEAT FLOW — 10s] • 0–3.3s: Wide shot of the beach with the woman and horse in the foreground, the sun setting behind them. • 3.3–6.6s: Medium shot as the camera moves closer, focusing on the woman’s serene expression and the horse’s calm demeanor. • 6.6–10s: Close-up of the water splashing around their feet; no new dialogue, just the sound of the waves and footsteps. [LIGHTING & COLOR] Warm, soft golden hues dominate the scene, with the sun casting long shadows and creating a tranquil atmosphere; emphasis on the contrast between the deep blue of the ocean and the warm colors of the sand. [VFX & CLEANUP] Subtle motion blur on waves; stable edges around the subjects for a polished look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

What if Newton didn't discover Gravity

[LOGLINE] What if Isaac Newton, in a quaint 17th-century English village, never discovered gravity, leading to a chaotic world where objects float unpredictably, impacting daily life and scientific progress. [SUBJECT & ACTION] Isaac Newton, a bespectacled and curious young man, anxiously watches as apples and other objects float around him, while villagers express confusion and frustration over their floating belongings, creating a sense of urgency in their daily activities. [ENVIRONMENT] A rustic English village with cobblestone streets, thatched-roof cottages, and a vibrant marketplace filled with floating produce and goods, all set under a bright and whimsical sky. [CAMERA & MOVEMENT] Slow dolly in on Newton's face to capture his bewilderment; quick pans to villagers scrambling to catch their floating items; a wide shot of the village to show the chaotic scene. [BEAT FLOW — 10s] • 0–3.3s: Close-up of Newton's worried expression as he observes apples levitating. • 3.3–6.6s: Quick cuts to villagers reaching for their floating goods, showcasing their frustration. • 6.6–10s: Wide shot of the village, with a focus on the whimsical sky, as Newton contemplates his next move. [LIGHTING & COLOR] Bright, cheerful lighting with soft shadows; a colorful palette featuring vibrant greens, blues, and warm earth tones to emphasize the whimsical nature of the floating objects. [VFX & CLEANUP] Subtle floating animations for the objects; ensure edges are crisp to maintain clarity; no excessive motion blur. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

兩隻動物在猜拳 一支是浣熊 一隻是鬥牛犬 浣熊出剪刀 鬥牛犬只能出布

[LOGLINE] A raccoon and a bulldog engage in an intense game of rock-paper-scissors, with the raccoon choosing scissors and the bulldog left with only paper. [SUBJECT & ACTION] The raccoon, with its nimble paws, confidently reveals its choice of scissors, while the bulldog, looking puzzled and somewhat defeated, can only show paper in response. [ENVIRONMENT] The scene is set in a cozy backyard, filled with vibrant flowers and wooden fences, creating a lighthearted atmosphere for their playful competition. [CAMERA & MOVEMENT] Start with a close-up of the raccoon’s face, transitioning to a medium shot of both animals as they reveal their choices, finishing with a wide shot capturing the backyard surroundings. [BEAT FLOW — 10s] • 0–3.3s: Close-up on the raccoon, eyes focused and determined, as it prepares to reveal its choice. • 3.3–6.6s: Medium shot of both animals; the raccoon proudly shows scissors, while the bulldog looks confused with its paper. • 6.6–10s: Wide shot of the backyard as the bulldog sighs in defeat, followed by a lighthearted moment where they both laugh and playfully tussle. [LIGHTING & COLOR] Soft, warm sunlight illuminating the scene, highlighting the joyful expressions of the animals; colors are bright and saturated to enhance the playful mood. [VFX & CLEANUP] Subtle motion blur during the reveal actions; stable edges to maintain clarity throughout the playful interaction. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

POV, inside an autonomous hovercar moving through a futuristic megacity. My hands rest on a glass dashboard glowing with soft neon blue indicators. Outside, sleek skyscrapers stretch into clouds, and airborne vehicles zip past. Reflections glide across the interior as the car silently ascends. A faint AI voice gives route updates. Cinematic, ultra-realistic, 8K, immersive atmosphere, subtle motion.

[LOGLINE] A POV journey inside an autonomous hovercar gliding through a futuristic megacity, showcasing the sleek architecture and fast-paced aerial traffic while experiencing a serene interaction with advanced AI. [SUBJECT & ACTION] Inside the hovercar, my hands rest on a glass dashboard glowing with soft neon blue indicators. The vehicle ascends silently, providing me with a breathtaking view of the towering skyscrapers and the swift-moving airborne vehicles outside. [ENVIRONMENT] The megacity is filled with sleek skyscrapers stretching into the clouds, surrounded by a vibrant atmosphere enhanced by the neon lights reflecting off the hovercar's interior. [CAMERA & MOVEMENT] POV shot from inside the hovercar, smooth tracking as the car ascends, with gentle pans to capture the reflections on the dashboard and the bustling cityscape outside. [BEAT FLOW — 10s] • 0–3.3s: POV from the dashboard, hands resting on the glowing controls as the hovercar begins to ascend. • 3.3–6.6s: Camera pans to view the sleek skyscrapers outside, airborne vehicles zipping past, capturing reflections on the glass. • 6.6–10s: The AI voice softly provides route updates, while the camera lingers on the breathtaking view of the city, with no new speech, just visual immersion. [LIGHTING & COLOR] Soft neon blue lighting emanates from the dashboard, contrasting with the bright, vibrant colors of the megacity outside, creating an immersive and futuristic atmosphere. [VFX & CLEANUP] Subtle motion blur to emphasize speed; stable edges to maintain clarity of the reflections and the environment. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

POV, futuristic bathroom, soft white lighting. I look down as streams of nano-water wash over metallic tiles that self-clean. My hands move over a transparent mirror displaying health data in glowing blue. Steam forms geometric patterns on the glass. Robotic voice softly reports heart rate and hydration level. Ultra-detailed textures, cinematic composition, realistic reflections, 8K immersive.

[LOGLINE] In a futuristic bathroom, a POV perspective reveals streams of nano-water cascading over self-cleaning metallic tiles, while a transparent mirror displays glowing blue health data. [SUBJECT & ACTION] The viewer looks down at the metallic tiles as nano-water washes over them, while hands move to interact with a transparent mirror showcasing health metrics. A robotic voice softly reports heart rate and hydration levels amidst the steam forming geometric patterns on the glass. [ENVIRONMENT] The setting is a sleek, ultra-modern bathroom illuminated by soft white lighting, enhancing the minimalist aesthetic. [CAMERA & MOVEMENT] Static POV shot with a slight tilt downwards to focus on the tiles, followed by a gentle pan to the mirror, capturing the reflections and steam. [BEAT FLOW — 10s] • 0–3.3s: The camera holds a static POV as streams of nano-water flow over the metallic tiles, showcasing their self-cleaning properties. • 3.3–6.6s: The camera tilts slightly to reveal the transparent mirror, with hands reaching towards it, displaying glowing blue health data. • 6.6–10s: As the robotic voice reports heart rate and hydration levels, steam forms geometric patterns on the glass, culminating in a serene visual resolution. [LIGHTING & COLOR] Soft white lighting creates a calm atmosphere, with reflections highlighting the metallic surfaces and the glowing blue data on the mirror. [VFX & CLEANUP] Incorporate subtle motion blur for the flowing water; ensure stable edges for the reflections and steam visuals. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

POV, futuristic city, year 2149, early morning. First-person perspective waking up in a minimalist smart apartment with panoramic glass walls. I see my legs under smooth silver sheets as soft blue daylight filters through the windows. Transparent holographic screens float in the air showing today’s weather and news. A robotic arm opens the blinds automatically. Distant hum of flying cars outside. Cinematic, ultra-realistic, immersive atmosphere, 8K.

[LOGLINE] A first-person perspective in a futuristic city in the year 2149, waking up in a minimalist smart apartment with panoramic glass walls, as soft blue daylight filters through, revealing a world of advanced technology and flying cars. [SUBJECT & ACTION] The viewer awakens under smooth silver sheets, witnessing a robotic arm automatically open the blinds while transparent holographic screens float nearby, displaying the day's weather and news. [ENVIRONMENT] The setting is a sleek, modern apartment characterized by its panoramic glass walls, offering unobstructed views of a bustling futuristic city bathed in early morning light. [CAMERA & MOVEMENT] Handheld push-in towards the subject’s legs, then a smooth pan to the floating holographic screens, finally tilting up to capture the panoramic view of the city through the glass walls. [BEAT FLOW — 10s] • 0–3.3s: Start with a close-up of the legs under silver sheets, soft blue light filtering in. • 3.3–6.6s: Transition to the robotic arm opening the blinds, revealing the city outside. • 6.6–10s: Pan to the holographic screens showing weather and news, finishing with a wide shot of the city skyline. [LIGHTING & COLOR] Soft blue daylight filters in through the glass, creating a serene and ultra-realistic atmosphere, with cool tones dominating the scene to emphasize the futuristic setting. [VFX & CLEANUP] Subtle motion blur on the robotic arm's movement; stable edges on the holographic screens; ensure clarity without distortion. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

create a side view of a cartoon turkey holding a football

[LOGLINE] A cartoon turkey proudly holds a football, showcasing its playful and spirited demeanor. [SUBJECT & ACTION] The turkey stands in a side view, its feathers bright and colorful, confidently gripping the football as if preparing for a game. [ENVIRONMENT] The background is a cheerful, grassy field with a clear blue sky, evoking a lighthearted, festive atmosphere. [CAMERA & MOVEMENT] Static side view framing, focusing on the turkey with a slight zoom to emphasize its confident stance. [BEAT FLOW — 10s] • 0–3.3s: The camera captures the turkey standing tall, football held firmly, showcasing its vibrant feathers. • 3.3–6.6s: The turkey gives a playful head tilt, displaying its personality, with a slight bounce on its feet. • 6.6–10s: The final pose is held, emphasizing the turkey's confidence as the scene fades out gently. [LIGHTING & COLOR] Bright and saturated colors with a warm, sunny glow highlighting the turkey and the football, creating an inviting mood. [VFX & CLEANUP] Subtle motion blur on the turkey's slight movements; stable edges throughout the scene. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

vidéo comme zack d film en 3d animation ou on vois quelqu’un mâcher un chewing-gum de couleurs mauve et on zoom sur sa bouche pour voir les effets

[LOGLINE] A 3D animated video inspired by the style of Zack D, featuring a character chewing a vibrant purple gum, with a zoom that reveals the intricate effects inside their mouth. [SUBJECT & ACTION] The character is focused on chewing a colorful, purple gum, showcasing expressions of enjoyment and curiosity as they explore the texture and flavor. [ENVIRONMENT] The scene is set in a bright, playful environment, with a whimsical backdrop that enhances the animated feel, possibly featuring soft clouds or abstract shapes. [CAMERA & MOVEMENT] Slow zoom-in on the character's mouth, transitioning from a wider shot to a close-up to capture the gum-chewing action in detail. [BEAT FLOW — 10s] • 0–3.3s: Establish the character in the environment, with a playful expression as they chew the gum. • 3.3–6.6s: Begin the zoom towards the mouth, highlighting the gum's vibrant color and texture. • 6.6–10s: Close-up of the mouth, showcasing the effects of the chewing action, with no new dialogue or sound, just visual focus on the gum. [LIGHTING & COLOR] Bright and vibrant lighting to emphasize the colors of the gum and the surroundings, with a cheerful and inviting color palette. [VFX & CLEANUP] Smooth transitions with subtle motion blur; ensure edges are stable and clean for a polished animated look. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

一个五彩斑斓的黑。一个五彩斑斓的夜晚

[LOGLINE] 一个五彩斑斓的黑，展现出夜晚的神秘与奇幻，色彩在黑暗中交织，创造出令人叹为观止的视觉盛宴。 [SUBJECT & ACTION] 夜空中闪烁的星星与五彩斑斓的烟花交相辉映，夜晚的宁静被声响打破，人物在黑暗中舞动，展现出他们内心的情感与渴望。 [ENVIRONMENT] 整个场景设定在一个开放的夜空下，周围是高耸的树木和闪烁的城市灯光，营造出一个既神秘又迷人的氛围。 [CAMERA & MOVEMENT] Slow dolly-in toward the characters as they dance, then a wide pan to capture the vibrant fireworks in the sky, followed by a smooth tilt-up to showcase the stars. [BEAT FLOW — 10s] • 0–3.3s: Characters begin to dance, laughter and joy fill the air, with the camera dolly-in capturing their expressions. • 3.3–6.6s: Fireworks explode in the sky, the camera pans wide to encompass the vibrant colors, while the characters gaze up in awe. • 6.6–10s: The camera tilts up to the stars, the last fireworks fading, transitioning into a serene night sky, no new dialogue spoken. [LIGHTING & COLOR] Use deep blues and purples of the night, contrasted with the bright, vivid colors of the fireworks, creating a magical and dreamlike atmosphere. [VFX & CLEANUP] Subtle glow effects around the fireworks; smooth transitions between scenes; ensure stable edges without any harsh artifacts. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Ring camera captured a Goat barking and leaping as a bald eagle dives for a tiny kitten in a sunny backyard. Dust and feathers fly as the Goat stands guard while the hawk retreats.

[LOGLINE] A Ring camera captures a dramatic moment in a sunny backyard where a goat barks and leaps to guard a tiny kitten from a diving bald eagle, creating a whirlwind of dust and feathers as the hawk retreats. [SUBJECT & ACTION] The goat stands defiantly, barking loudly while leaping in front of the tiny kitten, who looks frightened but curious. The bald eagle swoops down, aiming for the kitten, but quickly retreats as the goat’s protective stance blocks the way. [ENVIRONMENT] A bright, sunny backyard filled with grass, scattered toys, and a small patch of flowers, underscoring the light-hearted yet intense atmosphere of the scene. [CAMERA & MOVEMENT] Static wide shot from the Ring camera perspective, then a quick zoom in on the goat as it barks and leaps, followed by a smooth pan to capture the eagle diving and the ensuing chaos of dust and feathers. [BEAT FLOW — 10s] • 0–3.3s: The Ring camera captures the sunny backyard as the goat stands alert, barking. • 3.3–6.6s: The bald eagle dives towards the kitten, feathers ruffling in the air. • 6.6–10s: The goat leaps forward, dust and feathers fly, the eagle retreats, and the scene stabilizes with the kitten peeking out from behind the goat. [LIGHTING & COLOR] Bright and vibrant daylight with warm hues illuminating the backyard, enhancing the playful yet tense mood of the scene; soft shadows cast by the goat and surroundings. [VFX & CLEANUP] Subtle motion blur on the eagle’s dive; stable edges around the goat and kitten; ensure a clean background with no distractions from the main action. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

adolf hitler auf dem fahrrad auf dem weg zum reichs tag

[LOGLINE] Adolf Hitler rides a bicycle on his way to the Reichstag, showcasing a juxtaposition of an iconic historical figure in an unexpected, mundane moment. [SUBJECT & ACTION] Hitler, dressed in his military uniform, pedals with determination, his expression a mix of focus and ambition as he navigates the bustling streets of Berlin towards the imposing Reichstag building. [ENVIRONMENT] The scene is set in 1930s Berlin, with period-appropriate architecture, cobblestone streets, and a backdrop of pedestrians going about their day, providing a stark contrast to Hitler's presence. [CAMERA & MOVEMENT] Handheld tracking shot follows Hitler from the side, capturing the rhythm of his pedaling while occasionally cutting to a frontal view, emphasizing his determined expression. [BEAT FLOW — 10s] • 0–3.3s: The camera begins with a wide shot of Berlin streets, then shifts to follow Hitler on his bicycle as he starts to pedal. • 3.3–6.6s: Close-up on Hitler's face, showing his focused expression, while the background blurs slightly to emphasize his determination. • 6.6–10s: The camera pulls back to a medium shot as Hitler approaches the Reichstag, the building looming larger, conveying the weight of the moment, with no new dialogue. [LIGHTING & COLOR] Natural daylight filters through the streets, casting soft shadows; the color palette is muted with a slightly desaturated look, reflecting the historical context. [VFX & CLEANUP] Subtle motion blur during bike movement; ensure stable edges on characters and environment for clarity. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

POV: You’re sitting on your bed late at night, phone screen lighting up your tired eyes, your thumb scrolling endlessly through TikTok. The room is dim, lit only by the phone glow and a warm desk lamp in the background. The camera is handheld and slightly shaky, focusing on the phone reflection in your eyes. Cinematic lighting, realistic skin texture, soft shadows, shallow depth of field, 4K, moody and emotional tone, filmed like an Apple commercial about distraction.

[LOGLINE] POV: You’re sitting on your bed late at night, illuminated only by the glow of your phone screen, as you scroll endlessly through TikTok, feeling the weight of distraction. [SUBJECT & ACTION] You are the central figure, your tired eyes reflecting the bright phone screen while your thumb moves rhythmically over the device, engrossed in the endless stream of videos. [ENVIRONMENT] The room is dimly lit, with shadows creeping into the corners, the only sources of light being the phone and a warm desk lamp softly glowing in the background. [CAMERA & MOVEMENT] Handheld camera with slight shakiness, gently pushing in to focus on the reflection of the phone in your eyes, then pulling back to capture your full figure on the bed. [BEAT FLOW — 10s] • 0–3.3s: Close-up on your eyes, the light from the phone flickering across your face. • 3.3–6.6s: Shift to a wider shot showing your thumb scrolling on the phone, the desk lamp illuminating your surroundings. • 6.6–10s: Return to a close-up of your face, capturing an emotional expression of distraction and weariness, fading out as the screen dims slightly. [LIGHTING & COLOR] Cinematic lighting with a focus on realistic skin texture, using soft shadows to enhance the moody atmosphere, maintaining a warm color palette to contrast the blue light from the phone. [VFX & CLEANUP] Subtle motion blur during the handheld movement; stable edges to ensure clarity, particularly on the reflection in your eyes. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

一则有趣的卡通人物钓鱼搞笑视频，类似韩国倒霉熊系列动画

[LOGLINE] 一则有趣的卡通人物钓鱼搞笑视频，展现了一只倒霉的熊在湖边钓鱼时接连遭遇滑稽的意外。 [SUBJECT & ACTION] 倒霉熊坐在湖边，满怀期待地准备钓鱼，但接连出现的搞笑意外让他不得不应对各种尴尬和困境，比如鱼竿被水中的鱼拉走，或者误钓到水中的旧鞋。 [ENVIRONMENT] 场景设定在一个阳光明媚的湖边，周围有茂密的树木和偶尔飞过的鸟儿，湖面波光粼粼，给人一种轻松愉快的氛围。 [CAMERA & MOVEMENT] 平稳的平视镜头聚焦在倒霉熊身上，偶尔切换到俯视镜头展现湖面与周围环境，最后快速摇镜回到正面捕捉到熊的搞笑表情。 [BEAT FLOW — 10s] • 0–3.3s: 倒霉熊兴奋地把鱼饵扔入水中，脸上洋溢着期待。 • 3.3–6.6s: 突然，水中的鱼猛地咬住鱼饵，熊被拉得失去平衡，搞笑地摔倒在地。 • 6.6–10s: 熊狼狈地试图抓住鱼竿，结果意外钓到一只旧鞋，画面定格在他的惊讶表情上。 [LIGHTING & COLOR] 明亮的自然光照亮整个场景，色彩鲜艳，湖水呈现蓝绿色，树叶和熊的毛发则是生动的绿色和棕色，营造出轻松幽默的氛围。 [VFX & CLEANUP] 轻微的运动模糊来增加动态效果；确保所有边缘稳定，保持画面的清晰度和整洁。 [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

A recording vhs of the old game called tag it's a game in squid game but no one is playing because it's old it's rusty and stains and the recording is from 1988 with a glitchy camera

[LOGLINE] A glitchy recording from 1988 captures the eerie remnants of an old game of tag, reminiscent of the deadly challenges in Squid Game, but the rusted and stained equipment sits unused, evoking a haunting sense of nostalgia. [SUBJECT & ACTION] The camera focuses on a deteriorating VHS tape, which plays back the unsettling imagery of the game’s faded colors and distorted visuals, revealing a playground set with old, rusty props, while the sounds of children's laughter are eerily absent. [ENVIRONMENT] The setting is an abandoned playground, filled with rusted swings and broken slides, overgrown with weeds, casting an unsettling atmosphere that feels trapped in time. [CAMERA & MOVEMENT] Start with a close-up of the VHS tape, then pan slowly across the playground, capturing the rust and decay with a handheld effect, and finally zoom in on a rusted tag sign, emphasizing its worn-out state. [BEAT FLOW — 10s] • 0–3.3s: Close-up of the VHS tape as it begins to play, flickering with static. • 3.3–6.6s: Handheld pan across the abandoned playground, revealing the rusted swings and stains on the ground. • 6.6–10s: Zoom in on the rusted tag sign, with the audio fading into unsettling silence, leaving a lingering sense of unease. [LIGHTING & COLOR] Dim, natural light filters through the trees, casting eerie shadows; the color palette is desaturated, with a greenish tint to evoke a sense of decay and nostalgia. [VFX & CLEANUP] Apply a subtle film grain effect; add glitch effects intermittently; maintain stable edges to keep focus on key elements. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

vhs squid game

[LOGLINE] A group of desperate players enters a dangerous and twisted game reminiscent of a VHS-era aesthetic, where they must navigate bizarre and deadly challenges inspired by childhood games. [SUBJECT & ACTION] Characters including a nervous player, a sinister game master, and a determined underdog compete in various childhood games with high stakes, showcasing fear, hope, and betrayal as they struggle to survive. [ENVIRONMENT] The setting features dimly lit, retro-styled rooms filled with VHS tape decor and eerie, flickering lights that create a nostalgic yet menacing atmosphere. [CAMERA & MOVEMENT] Handheld tracking shots follow characters closely, capturing their tense emotions; quick cuts between players' faces and the game master to heighten suspense; slow zoom-ins during critical moments for emphasis. [BEAT FLOW — 10s] • 0–3.3s: Start with a close-up of the nervous player, sweat dripping as they glance around the dimly lit room. • 3.3–6.6s: Cut to the game master, smirking menacingly, then quickly back to the determined underdog as they clench their fists, ready to face the challenge. • 6.6–10s: A wide shot of all players lined up, the game master raises their hand, signaling the start of the game, with tension palpable in the air. [LIGHTING & COLOR] Low-key lighting with heavy shadows; a palette of muted greens and browns to evoke a gritty retro feel; flickering lights to enhance suspense and create a nostalgic VHS effect. [VFX & CLEANUP] Subtle scan lines and VHS distortion effects; ensure smooth transitions between shots with stable edges; maintain a gritty texture without overwhelming the visuals. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Машина ваз 2109 красная быстро едет по дороге тонированная обгоняет гелик

[LOGLINE] A red VAZ 2109 speeds along the road, its tinted windows glinting in the sunlight as it overtakes a Mercedes G-Class. [SUBJECT & ACTION] The focus is on the striking red VAZ 2109, which accelerates rapidly, maneuvering past the luxury G-Class with a sense of confidence and thrill. [ENVIRONMENT] The setting is a vibrant, sunlit road surrounded by lush greenery, with the distant sound of the engine roaring as it slices through the air. [CAMERA & MOVEMENT] Dynamic tracking shot alongside the VAZ, smoothly transitioning to an overhead view as it overtakes the G-Class, then a quick pan back to focus on the car's rear as it speeds ahead. [BEAT FLOW — 10s] • 0–3.3s: The VAZ 2109 revs up and begins to accelerate, showing its sleek profile against the bright environment. • 3.3–6.6s: The camera tracks alongside, capturing the intensity of the drive as the VAZ approaches the G-Class. • 6.6–10s: The VAZ overtakes the G-Class, showcasing the driver's confident expression, before the final shot settles on the red car speeding into the distance. [LIGHTING & COLOR] Bright sunlight filters through the trees, enhancing the red of the VAZ while casting dynamic shadows, creating a vivid contrast against the greenery of the surroundings. [VFX & CLEANUP] Subtle motion blur on the VAZ to convey speed; clear, stable edges on the G-Class and background elements. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Ich mache ein Faceoff gegen einen ufc Kämpfer. Nach dem Faceoff wird in den Ring gewechselt, ich gebe ihm einen suplex, krasse kicks und mache krasses grappling. Wenn ich ihn besiegt habe sage ich: Leben ist hart,Leben geht weiter. Ich mache das Faceoff mit meiner Brille und den Kampf kämpfe ich auch mit meiner Brille.

[LOGLINE] Ein aufregendes Faceoff gegen einen UFC-Kämpfer, gefolgt von einem intensiven Ringkampf, in dem ich einen Suplex, beeindruckende Kicks und dynamisches Grappling einsetze, um schließlich zu triumphieren und die Worte „Leben ist hart, Leben geht weiter“ auszusprechen, während ich meine Brille trage. [SUBJECT & ACTION] Ich stehe gegenüber dem UFC-Kämpfer, meine Brille auf der Nase, während wir uns in einem Faceoff messen. Nach dem spannenden Faceoff wechseln wir in den Ring, wo ich mit einem kraftvollen Suplex, präzisen Kicks und intensivem Grappling angreife, um ihn zu besiegen. [ENVIRONMENT] Der Ring ist hell erleuchtet, umgeben von angespannter Zuschauermenge und Kameras, die die Action festhalten. [CAMERA & MOVEMENT] Langsame Kamerafahrt auf die Gesichter während des Faceoffs; dynamisches Schwenken während des Suplexes; schnelle Schnitte zwischen Kicks und Grappling-Moves; Abschlusszoom auf mein Gesicht, während ich die letzten Worte sage. [BEAT FLOW — 10s] • 0–3.3s: Faceoff zwischen mir und dem UFC-Kämpfer, Kamera auf unsere Gesichter fokussiert. • 3.3–6.6s: Wechsel in den Ring, ich führe einen Suplex aus, gefolgt von Kicks und Grappling-Aktionen. • 6.6–10s: Ich besiege den Kämpfer und sage: „Leben ist hart, Leben geht weiter“, während die Kamera auf mein Gesicht zoomt. [LIGHTING & COLOR] Intensive Ringlichter mit einem Kontrast aus warmen und kühlen Tönen, um die Spannung zu erhöhen; die Farben sind lebhaft, um die Action zu betonen. [VFX & CLEANUP] Subtile Bewegungsunschärfe bei den Kicks und Grappling-Bewegungen; stabile Kanten ohne Verzerrung oder Ablenkung. [NEGATIVE DIRECTIVES] Keine Textüberlagerungen, keine Wasserzeichen, keine duplizierten Gliedmaßen, vermeide Jitter/Flicker, keine schwebenden Artefakte, kein Lip-Sync-Drift.

Ich mache ein Faceoff gegen einen ufc Kämpfer. Nach dem Faceoff wird in den Ring gewechselt, ich gebe ihm einen suplex, krasse kicks und mache krasses grappling. Wenn ich ihn besiegt habe sage ich: Leben ist hart,Leben geht weiter.

[LOGLINE] Ich mache ein Faceoff gegen einen UFC Kämpfer, wechsle in den Ring und besiege ihn mit einem Suplex, krassen Kicks und intensivem Grappling, bevor ich sage: "Leben ist hart, Leben geht weiter." [SUBJECT & ACTION] Ich stehe gegenüber einem muskulösen UFC Kämpfer im Ring, bereit für das Faceoff. Nach der spannungsgeladenen Konfrontation wechsle ich in den Ring, führe einen kraftvollen Suplex aus, gefolgt von beeindruckenden Kicks und dynamischem Grappling, bis ich schließlich seinen Niedergang besiege. [ENVIRONMENT] Der Ring ist mit einer hellen Beleuchtung ausgestattet, umgeben von einem begeisterten Publikum, das die Atmosphäre auflädt. [CAMERA & MOVEMENT] Kameraflug um das Faceoff, dann schwenkt sie schnell in den Ring für den Suplex, gefolgt von dynamischen Nahaufnahmen der Kicks und Grappling-Moves. [BEAT FLOW — 10s] • 0–3.3s: Close-up des Faceoffs zwischen mir und dem UFC Kämpfer, Spannung spürbar in der Luft. • 3.3–6.6s: Wechsel in den Ring, Durchführung des Suplexes mit einer schnellen Kamerabewegung, gefolgt von Kicks, die in Nahaufnahme gezeigt werden. • 6.6–10s: Grappling-Szene, bevor ich den UFC Kämpfer besiege und meine Worte "Leben ist hart, Leben geht weiter" ausspreche, während ich triumphierend dastehe. [LIGHTING & COLOR] Intensive Ringbeleuchtung mit kontrastreichem Licht, um die Action hervorzuheben und die Emotionen der Kämpfer einzufangen. Die Farben sind lebendig und dynamisch, um die Energie des Kampfes zu betonen. [VFX & CLEANUP] Subtile Motion Blur während der schnellen Bewegungen; klare Kanten und stabile Bildkomposition, um die Intensität des Kampfes zu vermitteln. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

Ich raube das louvre aus und klaue die Mona Lisa und andere Sachen.

[LOGLINE] Ich raube das Louvre aus und klaue die Mona Lisa und andere Sachen, während ich von der Aufregung und dem Nervenkitzel des Verbrechens erfüllt bin. [SUBJECT & ACTION] Eine maskierte Figur schleicht durch die dunklen Hallen des Louvre, sorgfältig die Mona Lisa und andere wertvolle Kunstwerke aus den Wänden zu stehlen. Die Figur zeigt eine Mischung aus Nervosität und Entschlossenheit, als sie die begehrten Objekte in eine Tasche steckt. [ENVIRONMENT] Die opulente, kunstvoll gestaltete Umgebung des Louvre mit hohen Decken, beeindruckenden Gemälden und sanftem Licht, das die Schönheit der Kunstwerke unterstreicht. [CAMERA & MOVEMENT] Steady cam tracking shot following the thief; quick cuts to close-ups of the stolen artworks; a dramatic dolly out as alarms begin to sound. [BEAT FLOW — 10s] • 0–3.3s: Die Figur schleicht durch den Louvre, die Kamera folgt ihr aus der Nähe, während sie die Mona Lisa anvisiert. • 3.3–6.6s: Nahaufnahme der Figur, die nervös auf die Umgebung blickt, dann eine schnelle Bewegung zur Mona Lisa, die sie vorsichtig abnimmt. • 6.6–10s: Die Figur steckt die Mona Lisa in die Tasche und dreht sich um, während Alarmlichter angehen, die Kamera zoomt heraus und zeigt die Panik, die sich entfaltet. [LIGHTING & COLOR] Dramatisches, gedämpftes Licht mit scharfen Schatten, um die Geheimhaltung und den Nervenkitzel der Szene zu betonen; warme Farbtöne, die die Kunstwerke hervorheben. [VFX & CLEANUP] Subtile Motion Blur während der schnellen Bewegungen; saubere Kanten, um die Klarheit der Kunstwerke zu bewahren. [NEGATIVE DIRECTIVES] No text overlays, no watermarks, no duplicated limbs, avoid jitter/flicker, no floating artifacts, no lip-sync drift.

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